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POB14
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bullet Posted: 9/26/06 at 9:16am

Originally posted by suzecue1

Many times I have seen a "so-so" male actor get the lead

So what, exactly, have you seen me in? 

POB
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eveharrington
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bullet Posted: 9/26/06 at 1:50pm
The thing is Actore, you have to decide if you want to be an actor or a celebrity. There are quite a few highly talented, working actors in the theatre and movie world that almost never get a lead part, but they are doing excellent work and are respected in their field by people with an educated and credible opinion. Celebrity is just being well known, it has nothing to do with talent (Fabio anyone?). The paths to acheiving these two things do NOT converge. I'm sure if you love acting enough to be on this board that you'd prefer the first one. Do some research on the number of actors versus the number of paid acting jobs, take a few minutes to review YOUR goals in life and I guarantee you'll feel much better.
"If nothing else, there's applause... like waves of love pouring over the footlights."
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MartyW
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bullet Posted: 9/26/06 at 2:25pm
All sage advise.... But as you have told us in a previous post what part you got, let me share something else with you... And by no means is to detract from all this wonderful advice... I just closed in that show, as I mentioned to you earlier, and though the lead boy got the last bow, it was always, and I mean always, Georgie that got the most laughs and applause...  It's not the role, its the actor...
Marty W

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red diva
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bullet Posted: 9/26/06 at 4:38pm

It's great that some of the people on this board have the courage to speak honestly and say things that need to be said. It would also be great if they had the courage to say those honest things in a softer and constructive manner so that the recipient doesn't go away feeling awful about him/herself.  I think we're all on this board to give advice when asked and to learn when we need to.  There are ways of giving advice that let the recipient go away feeling good about themselves while still having learned a lesson.

"I've worked long and hard to earn the right to be called Diva!"
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B-M-D
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bullet Posted: 9/26/06 at 5:50pm

Originally posted by red diva

It's great that some of the people on this board have the courage to speak honestly and say things that need to be said. It would also be great if they had the courage to say those honest things in a softer and constructive manner so that the recipient doesn't go away feeling awful about him/herself.  I think we're all on this board to give advice when asked and to learn when we need to.  There are ways of giving advice that let the recipient go away feeling good about themselves while still having learned a lesson.

Yes, yes at times I say the things that need to be said in unvarnished tones that make it crystal clear as to what I mean.   I am direct, frank and to the point.  Not unlike how I am in real life.   And believe it or not I still have friends.....who are actors.....and who want to work with me time and again.

A straight talking, no non-sense guy that has friends in theatre.....go figure!!

BD

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castMe
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bullet Posted: 9/26/06 at 9:03pm
I love you guys.  How I wish i could spend all my theater time with Gaafa, B-M-D, POB...............and someone to translate for Gaafa.

Suck it up actore.  It's a play about a nurse.  If you approach it correctly, the play will alway be about you.  But life isn't.

Sorry kid, but that's the way of the world and actors need tougher skin than most.  Why else would we regularly subject ourselves to that most painful of activities......Auditions.
Investigate. Imagine. Choose.
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Gaafa
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bullet Posted: 9/27/06 at 2:23am
Originally posted by castMe

I love you guys.  How I wish i could spend all my theater time with Gaafa, B-M-D, POB...............and someone to translate for Gaafa.

Cor blimey Cast me - I?m totally gob smacked!
Crikey what a menagerie especially with this old Galah!
I assure you, as I don?t have the slightest accent or dialect other than a neutral English one, I?d probably need a translator so I could under stand some of  the American dialects.
When I went home for a trip back to England a few years ago. My wife did a lot of the translating for me in Geordieland & she is a dinkidie Aussie.
Last year I rang up a few members of the Amdram.co.uk forum website, who were holding a Moot at a centrally located pub in Norwich & spoke to them for the first time. It rather caught them by surprise because they expected me to speak in a strine accent, which was a cross between Rolf Harris & Steve Irwin [RIP]. But they got just plain old me instead!
I should refrain from bunging the strine ockerisms on when posting - but my right hand index finger, which has a mind of it?s own, just taps it out on the keyboard regardless!
Thank you again Cast Me you have well & truly made my day, week & indeed year!

      Joe
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turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}

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POB14
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bullet Posted: 9/27/06 at 9:07am

Originally posted by castMe

I love you guys.  How I wish i could spend all my theater time with Gaafa, B-M-D, POB...............and someone to translate for Gaafa.

I think I found our translator:

POB
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red diva
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bullet Posted: 9/27/06 at 9:36am

I knew I was taking a chance when I expressed my opinion about ways to offer constructive criticism, but I felt it had to be said.

I have adjudicated/responded in community theatre festivals for nigh on to 30 years, and I have had quite a bit of training in the same.  One thing that is always emphasized is:  yes, honesty, but expressed in a way that allows the participating groups/individuals to go away with some sense of dignity and self-worth.  Making criticisms in this way does nothing to diminish the honesty of the critiques, it just allows them to learn in a constructive, not destructive, way.  Expressing raw, unkind criticism (though honest and perhaps deserved) serves only to put individuals/presenting groups on the defensive which in turn shuts down their ability/willingness to listen and learn.  They are quite likely to dismiss the criticism as mere rantings (I know this is the case from experiences that presenting groups have shared with me).  There are ways to be crystal clear, frank, direct, and to the point in a constructive way and still make your point understood. And to help the recipients of the criticism learn the lessons that they need to.

It's not about how far you can go and still remain friends with the recipients of the criticisms;  it's about the dignity and self-esteem of those on the receiving end.  Yes, some people are thicker skinned than others, but you also need to take into consideration those that are thinner skinned.  There is a big difference between saying "Waah, waah, waah....don't be a baby" and something like "After you achieve more maturity in yourself and your craft you will come to realize that ...." etc.

I realize that we aren't ever going to agree on this.  Just wanted to express my opinion and let you know that there are people out there that don't or can't accept or respond well to that type of criticism.

I'm done venting now!

"I've worked long and hard to earn the right to be called Diva!"
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B-M-D
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bullet Posted: 9/27/06 at 12:46pm

Unfortunately I lack the skill (or patience) to walk that fine line.   I appreciate that some people do.  

I love that good theatre adjudicators are able to parse critisism, suggestion and learning.   Having participated in a few drama festivals here I was recently witness this past June to the best and worst of both worlds.   In this particular festival we import "professionals" as opposed to the folks that do our regular production consultations and awards. One (a well known soap actor) was the worst offender, offering only critisism and not much else.  Though spot on with his observations (validating most of my thoughts) they were not couched in a manner that suited the forum.  Another (a director and playwright) was useless in that he went out of his way so as not to offend anyone that we gleaned very little from his feedback.   The third and best was a woman who was a professional director and educator (perhaps there in lies the difference) asked probing questions and let us know where we made good choices and other choices that may have been better and why. If a production stunk you stlill understood that it stunk but you knew why and how to improve it.   Fortunately for the show I directed all three liked it and we were nominated in several categories including best ensemble and my SM won for best Stage Manger (the nominees and winner for SM are determined by the stage managers of the festival itself and not the adjudicators).

Hope you stick with this disscussion board red diva.  Although I'm not in total agreement with you on everything I appreciate the intelligent insight that you bring to it.

BD

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