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cbcses
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bullet Topic: One Act suggestions...something different?
    Posted: 12/15/08 at 11:08am
We are looking for something different for our group this year.  We have done mostly comedy - with a few dramas thrown in - but wanted to try something a little different.  We would love any suggestions you have for a good fantasy, dark comedy or something edgy.  We aren't into melodrama or murder mystery.  Thanks for helping!
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tristanrobin
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bullet Posted: 12/15/08 at 11:30am
good dark edgy fantasy: Home Free by Lanford Wilson
1 male/1 female/1 setting/approx 45 minutes

just saw it at the Kennedy Center competition - powerful piece!

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chelserin
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bullet Posted: 12/15/08 at 8:56pm
Christopher Durang has many interesting One Acts. "Naomi in the Living Room" is a good one.
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GElliott
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bullet Posted: 12/18/08 at 12:43pm
How about Genet?  The Maids or Deathwatch are both great shows, very intense.
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bullet Posted: 12/18/08 at 12:50pm
We've got a great little one-acter that might just fit your bill ...

Fate's Thread (1m, 4f)
Winner - BEST PLAY : All England Theatre Festival (North East Heats) 2004
Susan suffers a fatal accident caused by her husband, Jack. She meets Alice and Harriet in the graveyard who, also being dead, have to persuade Susan to reconcile herself to the fact that she has been been murdered. Can they do this, or will Susan be forced to spend the rest of eternity in the Sea Of Lost Souls? Fates Thread is a ghost story. It's a light comedy, and a race against time to save a soul.

More details here including most of the script to download as a preview.


best regards

David
http://www.stagescripts.com
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DanMan09
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bullet Posted: 12/23/08 at 11:00am
Christopher Durang has already been mentioned, but I directed his one act "Wanda's Visit" at a one act festival and it got a wonderful response.  It has some good edgy humor that might be what you are looking for, as well as a fun "twist" ending.
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Nikki Adams
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bullet Posted: 1/05/09 at 10:57pm
Scooter Thomas Makes it to the Top of the World, by Peter Parnell. I directed this for competition, and took 2nd place at Nationals a few years back. It's a beautiful show, virtually no set (we did it with boxes and only boxes, and a cyc). 2 actors. It's funny, it's poignant - and fantastic to direct. The audiences loved it at every level.
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bullet Posted: 1/06/09 at 7:56am
I have a play called Tuna Fish Eulogy (which went on to win 2nd overall with the Riverside Players at the National Drama Festival Association British All-Winners Festival) 

It's very different, and is in the form of a ladder play.

Here's the link
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Lindsay Price
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Theatrefolk: Scripts for High Schools, Middle Schools, and Elementary Schools
http://www.theatrefolk.com
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tristanrobin
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bullet Posted: 1/06/09 at 9:42am
Originally posted by GElliott

How about Genet?  The Maids or Deathwatch are both great shows, very intense.


In my too-many-to-fess-up-to years working in the theatre, my absolute most treasured theatre memory is directing a production of "The Maids." It was one of those rare times when the perfect cast and the perfect designers met the perfect script for that moment and pure magic happened.

If you have three incredibly talented women - or men - I highly second this recommendation. Though it may not be good for a competition one act - it's rather longer than the usual hour requirement.
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bullet Posted: 1/09/09 at 8:02pm
I have three one-acts that would make a nice package for production. Together, they have a running time of approximately 105 minutes. Breakdowns follow. If you are interested in all or one of them, please email me at lindastockham@netzero.net and I will glady email as attachment. Thanks.

TITLE: Goddesses of the Western World
GENRE: Contemporary drama.
LOGLINE: Senior citizens in a retirement home reminiscent about their lives.
CAST OF CHARACTERS:
ADA VEACH, a retired educator in her 80s
BUNNIE PARAMONOV, former ballerina, she is in her 90s and blind
GENOVA GIBSON, a retired dietitian, she is a stocky black woman of 89
LESTER CLARKE, he is a retired librarian of 80
PENNY STRAUSS, a middle-aged woman who is recovering from a stroke
DR. IRENE WESTCOTT, PENNY’S mother, she is a retired university professor      of 79
VICTORIA MARS, a capable woman in her 30s, she works at the      retirement home
SCENIC REQUIREMENT: A sunroom. (Relative simple scenic design.)
TIME: 1996.
RUNNING TIME: 35 minutes.
COPYRIGHTED: Yes.
NOTE: This play was first produced as a radio drama and has had two play-readings but no fully-staged production to date.

TITLE: Golden Elliott
GENRE: Contemporary drama.
LOGLINE: A deeply troubled man is forced to recall the death of his best friend in Vietnam.
CAST OF CHARACTERS:
MRS. BAYLOR, she is 64
JOLENE, her daughter of 42
CONNIE, the deeply troubled Vietnam veteran of 44
SCENIC REQUIREMENT: Service porch. (Relative simple scenic design.)
TIME: A long time after the Vietnam War.
RUNNING TIME: 35 minutes.
COPYRIGHT: Yes.
NOTE: This play was first produced as a radio drama, then fully-staged in the Angus District of the Scottish One-Act Festival (1998) Scotland; a workshop in Galway, Ireland (1998); and two fully-staged productions in Los Angeles, California (1999, 2000).

TITLE: The Product of Deception (Formerly titled Red Breams)
GENRE: Contemporary gothic drama.
LOGLINE: A young journalist learns that her long-anticipated interview with a nonagenarian poet must be conducted with his ghost.
CAST OF CHARACTERS:
MRS. HALLETT, she is a private secretary in her 50s
PAULA REEVES, a 30-year old free-lance writer
WILLIAM FRANCIS DeMISSIE, a ghostly presence. He was 95 years old when      he died
SCENIC REQUIREMENT: Solarium. (Relative simple scenic design.)
TIME: 1996.
RUNNING TIME: 35 minutes.
COPYRIGHTED: Yes.
NOTE: This play had a play reading in 1995, and was first fully produced as a radio drama (1998). It has had two fully-staged productions in Los Angeles, California (1999, 2001).


Linda Stockham
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