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bullet Posted: 4/01/10 at 4:47pm
My stars, what community theatre (besides the Bloomington Repertory Theatre Company, I mean) routinely creates a TWENTY PAGE program for their shows?  None that I have ever been involved with, that's for sure.  Even the programs for large cast musicals run maybe only TWELVE pages, maximum.  Then again, maybe the BRTC is a little higher up the 'food chain' than COMMUNITY THEATRE, I don't know.
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bullet Posted: 4/01/10 at 5:01pm
Actually, our playbills are relatively cheap. We allow 20 pages so that each members of the cast can have a photo and biography, so that we can recognized ALL of our sponsors accordingly. 20 pages is not unheard of, nor all the cost prohibitive. For a 12 performance run in the 561 seat house, our playbills cost comes to $750 dollars by the time we account the $600 discount received from the printers in exchange for advertising space in the program.

No, we are not 'higher up' in the food chain. Our budgets are little larger than some community theatre's, but were STILL a community theatre. There are many community theatres with larger budgets than ours, which is pretty meager. Take for instance, the Indianapolis Civic Theatre (which is probably the closest theatre to us that resembles our goals and management practices), who's budget, according to their 990 form, was $600,000 for 2008.

what set's us apart from most community theatre's is that we are 'professionally managed', and we will also derive a large sum of our income from fundraisers and our education and summer camp programs.


Edited by lparks - 4/01/10 at 5:03pm
Landon Parks,
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Bloomington Repertory Theatre Co
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bullet Posted: 10/25/10 at 3:57pm
Our playbill for our two summer shows performed in rep (Oscar Musical Mix - with Katelyn Epperly,and Kitchen Witches - a comedy) was 44 pages.  So was the playbill for The Legend of Sleepy Hollow designed by artist Gary Kelley, and The Music Man with former SNL actor Gary Kroeger.  That's standard for our shows.  The ads in the playbill more than pay for the playbill.  20 pages are ads.  But it looks good, not "junked up" with ads because many pages include trade ads with other arts organization, theatres, performing arts centers, media, cultural organizations.  The whole thing has an "arts feel" to it.  We get many compliments on our playbill.  But mainly, it generates a profit every year for our organization.

Edited by John Luzaich - 10/25/10 at 4:01pm
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bullet Posted: 10/26/10 at 10:27am
Our Playbill size actually went up for our upcoming show of Narnia. Went from 20 pages up to about 32 - in order to take advantage of ad space. I feel that MANY theatre's do not take advantage of selling ads, which has proved to be  a large source of revenue for us so far.
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bullet Posted: 10/27/10 at 12:57pm
The original post of this topic asked about how the producer and director is listed in the playbill/program, which listed first?  Most of our community theatres always strive to be the best and so we usually benchmark with other organizations to see what they do.  (that's why we're here on this site)  I always look at professional theatre, broadway, tours, and take what I can from that and try and fit it into our own situation.  If you look at broadway playbills & window cards (posters) the producer is listed 1st, then the show title, then the cast, then the production & artistic staff (designers), then last is always musical director & choreographer and then director.  Director is almost always listed last. (and in a larger size font).

Edited by John Luzaich - 10/27/10 at 12:59pm
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bullet Posted: 10/28/10 at 9:43am
Having recently gone through this discussion about the order of the production staff, I finally gave up, and gave our playbill people  this rule of thumb -those who put the most brain power into the show get the higher billing! 
Our costume designer has been consistently listed lower than the set construction crew, and sometimes even below the props person and crew, and not even listed as 'designer', but coordinator or head.  I don't know where the idea has come from that the costumer doesn't do anything but pull clothes from storage...  sheesh... 
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