While DAVID is being diplomatic and solution oriented, I on the other hand will not be - THE DIRECTOR IS AN IDIOT simply put. If they have no concept of the construction required to make a door work properly for real OR ONSTAGE then they just need to learn to get their head out of their butts and let someone who does know deal with how to handle it effectively, safely and securely. Apparently you have a completely unreasonable and ignorant director - there I said it - insult and all. BUT as David said there HAS TO BE some sort of bracing and the ONLY alternative is to use a steel frame that can withstand the swing and sway of a real doorway. Steel framing would be costly, a flat steel plate as he describes WOULD work but would most certainly be heavy but it's the best alternative. If people - including directors - who do theater do not understand how to make construction issues work then they just need to trust someone who does and in turn keep their traps shut. They can want all they want. But if it's impractical, impossible or foolish then they just need to shut up and learn that having to compromise a little bit and adjusting for the REALITY of construction that HAS the be a certain way is required and then they should leave the suspension of disbelief to an audience.
I MUST APOLOGIZE to you all however - not a good day for me to be responding to a question like this. As a director, actor, technician, set designer/builder - I've been there, done that, learned a lot (still have much to learn) and just cannot stomach when some idiot director has not got a lick of good sense to know that certain things with no budgets, not their own space and so forth, cannot be done as they'd like them to be. And they just need to learn what they should - to make better decisions than what they're asking you to do or shut up and accept that certain things are out of their understanding or capacity to do themselves....and out of the realm of being possible they way they wish, then they should therefore just close their mouth and live with it.
Again apologies to you and anyone else this offends. But some people are just too thick to get it and understand that a bit of flat black paint can cover a world of things onstage and what doesn't get covered should be left to the audience to correct in their own minds - and yes for the most part they have the capacity to do that - but directors (and I AM one) have a tendency to think that audiences are often stupid (and they sometimes are). BUT you cannot approach anything as though they are - you just have to trust convention, instinct, common sense and an audience who may or may not know what or how you did what you do - but accept it regardless as no-other-way!!
Again a million apologies for my rant - too early, too tired and too annoyed at the stupidity of some people who you can never seem to make understand what it takes when YOU know and they do not.
I stand down with great humility - really I do!!
TonyDi
By the way as David said - if you were to use steel base plate it HAS to be AT LEAST 3' square since most doors - especially if they're entry doors and not interior doors (but even then sometimes 3') then the base plate HAS to be as large as the door swings which is it's full 3' and BETTER if you have it at least a foot larger than the 3' door. If done using a steel base plate that could be WAY heavy. We used 3/4" plywood and THAT was heavy enough too...so steel wow!!!
We did an opera last year and I used a free standing door - but it had a 4' base with braces to keep it 90 Degrees upright to the floor. We couldn't drill into the floor either but I DID use a wooden door frame with a 1' flat on either side of it to help hide the bracing a bit but didn't worry too much about it. And I did two window units that same way - free standing and I used loads of concrete weights to help offset any imbalance. But didn't have the restriction of a borrowed door so we could create our own door frame and so forth. Windows were fake and still had a 3' X 3' square base. Both the door unit and the window units required the base but the bases were flush with one edge - so that the base plate was at the back weighted down so the unit would stand upright like an L shape. But I braced all these units with conduit, flattened on both ends and drilled with holes for screws to attach to the frames and the base to hold it upright. All was painted flat black and with the right lighting and back curtains they were seen - just not obvious and audience can look past that stuff and see what's prominent and painted with brighter colors. At any rate that still means bracing on a sturdy base plate that should be 4' X 4' if it's a 3' door.
------------- "Almost famous"
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