Originally posted by Scott B
Now THAT'S a lot to digest.
All I know for sure at this moment is that we don't have anyone that has a clue regarding the synthesizer. The best we can do is a Clavinova and an older one at that.
We have our accompanist locked in, so I'm going to assume that you wouldn't be using both an accompanist AND the MIDI sequencing?
Glad to hear about the score being strong enough for piano and percussion because there's a good chance that's all we would have.
I swear ... one of these days I'm going to do a show with MIDI sequencing ... if for no other reason than because I've been told I can't.
As for the bass part ... I didn't think about getting it from the conductor's score. The bass player I have in mind is quite good and with a little time with the music he could probably figure it out. What's nice is he can play electric or upright bass.
Thanks for you insight ... it's much appreciated.
P.S. The show is actually Nunsense: the Mega Musical. It's pretty much the same as the original, but with a couple of songs added.
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Hey Scott,
Well as for the SYNTHESIZER - perhaps you can find someone who has one around or can rent one from someplace. Basically you need it for things like ORGAN, STRINGS and other off-list parts but it's not the end of the world if you don't have one. Clavinova - if it's the typical Yamaha Clavinova it might have a few "sounds" that are keyboard related (e.g. the church organ and maybe strings) but the models vary somewhat I think. So you might get lucky there.
As for the Midi Sequences, you CAN use them to supplement the live instruments being played but it's really quite a workout for the live players to keep time with the pre-sequenced music. Basically sequences are usually pretty specifically point-perfect with whatever time signatures are set since it's computerized and doesn't vary. You can always control tempos with Midi's but at the programming level. Once set and played back, it runs at whatever tempo has been chosen. So for live players to keep up with - it's definitely a workout. But it HAS been done VERY successfully - even with Broadway touring shows. Last time I saw Phantom touring, they had like 6 keyboards and percussionists - and that was it. NO full orchestra. Easier to transport keyboards and 6 people than hire local union musicians and hope for quality and consistency in the orchestration. But it has been done and can work nicely with enough practice and lead time from your live musicians.
If your pianist is good enough and can really rock the piano - embellish and fill in with percussion - it can sound full and robust. Naturally the more instrumentation you could get the better it would sound but I've seen it done VERY minimally and it sounds ok. NOT MY favorite but it can work with minimum number of players. First time we did it, we used a pianist, bass player, drummer and I was on synth filling the strings and other instruments that we simply couldn't afford much less get.
You ought to TRY using MIDI sometime. It's nice to have FULL ORCHESTRA right from the start, for rehearsals all the way through. You have to sometimes be creative and pretty aware of how to run sequences through the computer to sound systems AND then make it work with things like VAMPS which you sometimes have to just TIME really well and adjust to. Singers sometimes like it because it's like Karaoke - in that the music is in their hands from the beginning and never ever changes, slows down or speeds up (unless you program it to do that) and so many other advantages. Other performers do NOT like it because they cannot mess up and expect a Midi sequence can follow them and get them back on track so they HAVE to know their music perfectly - and that frightens some performers. But to have full orchestrations, with an orchestra that doesn't go home at 10:30, that's always there when you need it, is never late, doesn't have to be FED or pampered so they get along, doesn't have any ego at all, and is never going to let you down unless the power goes off - which then it wouldn't matter because you'd have no lights either - then it's hard to beat in those regards. But also it's way nice to have a REAL live orchestra to work with too. But it would be fun to try it to see how you liked it.
Now for the NUNSENSE - The Mega Musical - that's not something I have heard. Perhaps I need to check it out. I mean Goggin has rehashed that thing to death now I think - there are what....about 6 versions or so? One, Two, The Jamboree, Nuncrackers, Meshuganuns, The Mega Musical and perhaps more. It's been fun to watch but my word - it is still hard to beat the original version. Time to let this rest and move on Dan - to something new. He has the capability to write good stuff so he needs to give up Nunsense - although it's made him a small fortune I'd say. Couple the shows with the greeting cards which are still sold, and it's out there all the time. And while it's fun, it's time to move on to other things I think.
Anyway hope you have fun doing it. It's really great fun to be sure. If I can help in any way don't hesitate to contact me.
Best
TonyDi
------------- "Almost famous"
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