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Readers' Theatre

Printed From: Community Theater Green Room
Category: Producing Theater
Forum Name: Other Topics
Forum Discription: For everything else
URL: http://www.communitytheater.org/forum/forum_posts.asp?TID=3937
Printed Date: 11/23/24 at 3:35pm
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Topic: Readers' Theatre
Posted By: whitebat
Subject: Readers' Theatre
Date Posted: 4/10/09 at 1:29pm
As the current president of our CT, I am wondering how others have done with Reader's Theater.   I've heard that low audience turnout is often a problem. 
 
Has anyone done a Reader's Theater show that does not require royalties?  I'm guessing they might be obscure, and our board is asking for a "Big Name" spectacular, but if I end up directing, I feel like I am only competent to direct Reader's Theater.
 
How do actors feel about being in Reader's Theater as opposed to other shows?
 
And finally, if you've had success with Reader's Theater, which shows would you recommend?
 



Replies:
Posted By: Scott B
Date Posted: 4/11/09 at 12:24pm
Small community here ... our audience would rather be tossed off the side of a boat than sit through readers theatre.

You've posted in several areas, so you're obviously really searching for something that might work.  Why not choose either a small musical like Forever Plaid, The Tafettas, or any of the Nunsense shows.  With Plaid and Tafettas you'll be able to draw from your area, if nothing else, with name recognition of the songs ... all highly popular by (at least our) demographics.  Nunsense ... people might not have seen any of them but it has name recognition.


Posted By: greenphoenix
Date Posted: 4/11/09 at 2:23pm
I'm afraid I have to agree that reader's theatre doesn't sound very appealing to a mass audience. I would really comb through some scripts to find something within your budget and resources.

Two examples of beautiful shows that only require simple sets and few actors-- Driving Miss Daisy and Love Letters.

PS--Give yourself some credit. If you cast two or three good actors, it takes a large load off your "directing" chores and makes it a joy. I'll bet you can direct a real show if you have the passion to do so. Find a script you like.


Posted By: Scott B
Date Posted: 4/11/09 at 3:23pm
Forgot about Love Letters ... excellent suggestion.

If things are truly crumbling around you as some of your posts suggest ... the heck with the spectacular ... you're starting from ground zero. 

And whatever you do ... market, market and market the show.


Posted By: imamember
Date Posted: 4/11/09 at 7:02pm
We'll be trying it this coming season.

We got a small grant to cover scripts and royalties and venue. We're not going to charge admission but will be a donations accepted situation. We have three of them scheduled. First one is in October. I'll let everyone know how it goes.


Posted By: Prof_LewisB
Date Posted: 4/13/09 at 3:27pm
The community theater I work with primarily has had some moderate success with reader's theater in the past.  We've tried to focus on works in the public domain, to get around the royalty issue.  Most of the actors I've been involved with who have done reader's theater have enjoyed it.  It allows you to focus on the language of the piece, rather than the costumes, props, set, etc.  Some of the shows I've either been in or seen done as reader's theater are:

Everyman
Go Back for Murder by Christie (the organization that did this did have to pay royalties)
An Ideal Husband by Wilde
The Importance of Being Earnest by Wilde
Julius Caesar by Shakespeare
The Mousetrap by Christie (again, royalties)
Peer Gynt by Ibsen
Pygmalion by Shaw
The Rivals by Sheridan
Salome by Wilde
The Servant of Two Masters by Carlo Goldoni
Six Characters in Search of an Author by Pirandello
What Every Woman Knows by Barrie

I've also seen The Yeomen of the Guard and The Pirates of Penzance by Gilbert and Sullivan done in a reader's theater format (sort of an "In Concert" type of thing).

Some of these were more successful than others.  But isn't that true of most productions?  Wink


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