G'donya Patti!
Me an Artist? Nar more like just a 'bullardist &/or Artcipher!
I believe this is exactly what the 'Greenroom forum & we blackducks are all about!
I was luckily enough to be born in this game & was privileged to watch backdrops being painted, by some old & great scenic artists, who never seem to get their true recognition & they dropped off the perch into obscurity. Because their master pieces were purely gaff [here today, gone tomorrow], the same as live theatre. we are only the business of making memories, which can be perpetuated these days, via the net.
We I first came to oz in the 60's, after being transported from theatre on Tyneside UK.
With one of my first jobs here, I witnessed an old bloke, Jimmy Punch, painting a back drop.
After preparing the cloth on the deck, he would ask for a fly head batten to be dropped in. With drop attached to the batten, he would proceed to paint a landscape. The cloth was raised every now & then. This went on for a few hours, until the cloth was out about 20'. He would wander to the back of the stalls, mumble a few things, while he kept relighting his smoke. Which always was hanging on one side of his mouth. Being a rolly cigarette, it would invariably keep going out. I was never sure how fags he actually smoked a day, because to me it always looked the same one.
He would then go up on stage & climb a ladder to make to add touches of black & other high lights.
Looking at the actual cloth, it was just a heap of different colours, all mixed up.
Then all of a sudden with his flitting up & down the ladder & jaunts to the back of the house. The scene would appear, like magic!
For a 40' x 20' cloth it would take him around about 3 or for hours in total. Quite amassing & while we were admiring the finished backdrop. He cleaned up his gear & evaporated from the theatre.
Unfortunately he would clean most of his tools, with a concoction of meths ' white spirits & turps.
I wasn't there but he allegedly struck a match to light his smoke one day, while he was cleaning up. The cleaning fluid blew up & he was fried on there on the stage.
I will always remember Jim & his artistic ability. According to him he actually taught Rolf Harris how to achieve his quick paintings, that he does during his stage performances.
I'd like to think that this was true, but it is difficult to verify this, as I haven't worked with Rolf for over 40 years - gawd I'm becoming ancient - Not long now?
Anyhow besides all that rubbish waffle 'n drivel.
Please play back & let us all know how you get on, but don't hesitate to ask more questions - this is what keeps me young & t'ain't arf beaut for an old ego!
If you use unbleached calico [muslin] it will shrink slightly, but this is not normally a great problem, unlike when used on a Flat skin, which can be dramatic.
I forgot to mention with the plastic [latex] paint used to whiten & seal the cloths surphase, you can water it down, which also shrinks it more & realy toghtens the cloth weave.
Also with this type drop, it will suffer from the hourglass effect on the sides, between the head & tail battens.
You can use 'Hold Ons' to stretch the cloth;-
http://www.balancedtech.com.au/holdon/ - http://www.balancedtech.com.au/holdon/
also if you have a problem tieing off the cloth on the head batten. You can use 'Batten Clips:-
http://www.flints.co.uk/pdfcatalogue/Scenery%20Fittings.pdf - http://www.flints.co.uk/pdfcatalogue/Scenery%20Fittings.pdf
You can get calico 9' wide or Flax 8' wide;-
http://www.flints.co.uk/acatalog/Calico_190_200g_m2_.html - http://www.flints.co.uk/acatalog/Calico_190_200g_m2_.html
http://www.flints.co.uk/acatalog/Super_Scenic_Flax__360g_sq_m_.html - http://www.flints.co.uk/acatalog/Super_Scenic_Flax__360g_sq_m_.html
Tio Tio Chookas!
Joe [Gaafa}
------------- [western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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