Print Page | Close Window

Good books on STAGE MANAGER duties?

Printed From: Community Theater Green Room
Category: Producing Theater
Forum Name: Directing
Forum Discription: For questions about handling shows, actors, crew, board members, children ...or do we repeat ourselves?
URL: http://www.communitytheater.org/forum/forum_posts.asp?TID=3244
Printed Date: 11/23/24 at 4:46pm
Software Version: Web Wiz Forums 8.05 - http://www.webwizforums.com


Topic: Good books on STAGE MANAGER duties?
Posted By: Mr. Lowell
Subject: Good books on STAGE MANAGER duties?
Date Posted: 6/20/08 at 3:06pm
I would like to start teaching our Stage Managers to use a more standardized method of calling cues during their shows.  Each girl seems to have her own system, which tends to cause a little confusion for the crew over the headsets. 
 
Can anyone suggest a good book, (or website), that spells out in plain detail how to call a show in the most efficient and professional way?
 
Thanks, Dana


-------------
Mr. Lowell,
Lighting/Set Designer & Tech Director,
for the Linda Sloan Theatre,
in the Davison Center for the Arts,
at Greensboro Day School



Replies:
Posted By: biggertigger
Date Posted: 6/20/08 at 5:12pm
Having taught this course at the High school level I found "The Stage Management Handbook" by Daniel Ionazzi, as one of the better books for understanding and teaching stage management. 
 
http://www.amazon.com/Stage-Management-Handbook-Daniel-Ionazzi/dp/1558702350/ref=pd_sim_b_1 - http://www.amazon.com/Stage-Management-Handbook-Daniel-Ionazzi/dp/1558702350/ref=pd_sim_b_1
 
The book is easy to follow, it gives a clear understanding of theater operations, shows examples, and has clear instructions. 
 


-------------
The two greatest days in a theater persons life, the day you start a new show and the day the damn thing closes.


Posted By: JoeMc
Date Posted: 6/20/08 at 10:22pm
# of the top SM's handbook/guides are as BT suggested Ionazzi & also 'Guide to Stage Management'  & 'Stage Man Guide to Stage Management' Thomas A. Kelly. 'Stage Management' & 'Sternagement' by Lawrence Stern. Which are considered the fairly up to dare 'Bibles' on what it is all about. [All in your local currency, so easy for them to understand]
I'm afraid my book is out of print, mainly because it ended up in a municipal rubbish bin, this never seen the ink - but that's another story!
There is a some what universal method of actioning cues in theatre. As is generic in all the previous mentioned  SM books.
It is simple & recognised internationally. That being 'Stand By Cue ....' & 'Cue .... GO!'. The 'Gee Oh' word being the action operative one.
While it is basic, of course this comes down to personal preference & quirks in the delivery of the Stand By Cue information.
The object is 'keep It Simple Stupid' & elevates all possible confusion & misunderstandings that can arise easily.
The logistics is dependant on the number of elements in volved in one Cue, being executed at the same time.
The method I use if say I have Lighting, Audio, Fly's, staging Moves & Music happening at the same time. After having given the Stand By Cue info to each element operator. I just call "All on Stand By GO", rather than give a heap of drivel like LX23, SX15, Move 2 & Music 17  Cue Go!" , which on a heavy & tight cue musical, invariably the Cue has been missed before I get it out or totally just flumix those receiving it?
I'm so old I still use alphabetical cues for audio & sound effects, which these days is easier to numerical prefixes, because it is more compatable with Digital audio. as there will be more Lighting cues than any other normally, they are Numereical & become the bench mark for the 'running Sheet' & Net Form [WWW/W Sheet (who, Where, When, What & Why), which is the spine of the 'Show Calls'.
One thing I'm very strick on, is when I give a Stand By, all chatter on coms stops & I'll drop from  great hight on any one who starts rabbiting on durring the 'Silent running mode! [unless it it is an emergency].
I know quite a few years ago on one of the "Mouse' Productions, under the Big Top. The Aussie crew during tech rehearsal almost blew the whistle & walked, on the 'Everybody out!' signal. Because the American Disney Stage Manager could not grasp the basic principals of Theatre cue Calls & I'm sure his head was in a Film Studio. He didn't gave any Limes Cue GO's, only as  an off the cuff waffle in so many other ways, from "Hit Her" to "Get or Grab hem" & other colourfull dialogue. We had no Idea what he was on about? He was in the end dragged screaming back to basics, In fact he became loving known, by the Ocker Crew, as " Chooky-Man' by the end of the season. 
So it does happen in the so called best of purple circles!
Anyhow dana you could check out;- http://smnetwork.org/forum/index.php - http://smnetwork.org/forum/index.php
 


-------------
[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}



Print Page | Close Window

Bulletin Board Software by Web Wiz Forums version 8.05 - http://www.webwizforums.com
Copyright ©2001-2006 Web Wiz Guide - http://www.webwizguide.info