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Two weeks until we open

Printed From: Community Theater Green Room
Category: Producing Theater
Forum Name: Directing
Forum Discription: For questions about handling shows, actors, crew, board members, children ...or do we repeat ourselves?
URL: http://www.communitytheater.org/forum/forum_posts.asp?TID=2002
Printed Date: 11/23/24 at 1:03pm
Software Version: Web Wiz Forums 8.05 - http://www.webwizforums.com


Topic: Two weeks until we open
Posted By: castMe
Subject: Two weeks until we open
Date Posted: 8/31/06 at 5:04pm
....I just wanted to comment on my show's impending opening.  I am directing "The Dining Room" and we open two weeks from tonight.  My favorite two weeks of the rehearsal period.  Scripts get left backstage and the characters begin to really come alive.  All of the blocking starts to become organic as the actors find the reason for the direction to cross or sit or stand. 

And.......any insecurities the actors have start to fully surface giving me the opportunity to build them up and calm them down. 

The set gets painted, we set costumes, record music and write light cues.  Run the tech rehearsal.  Run the dress rehearsal.  Dress up for opening night to show the actors what a big deal this is (since they only see me in shorts or jeans during rehearsals).


Fun, fun stuff.  Exciting.  

Is there anything more fun than live theater? 


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Investigate. Imagine. Choose.



Replies:
Posted By: Aimee
Date Posted: 9/01/06 at 3:14pm

I agree. Those last weeks are the craziest as well as the most fun.

I'm bringing the high school kids in on Tuesday to start building. Already have had kids ask when we start. We'll get the set done in 7 weeks and have the actors take the stage with the finished set for the last two weeks.

That's when I get all my light cues going, deal with the forgotten costumes, fix the changes to the script the director forgot to tell me (those are always fun ) AND teach the crew stage hands what they will move and when.

Good Times!



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Aimee


Posted By: castMe
Date Posted: 9/12/06 at 10:04pm
Just got home from final dress which opens Thursday.  YeeHa......Looked very good. Both acts running very well.  Running times have dropped a total of thirty minutes since first run-thru on Sunday.  Everyone is dealing very well with this prop-heavy show.

Got a good feeling about this one.  Cast members coming up to me telling me how wonderful they think the other cast members are. 

We have the night off tomorrow and kick it in the teeth in two days.

Break my leg  LOL


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Investigate. Imagine. Choose.


Posted By: POB14
Date Posted: 9/13/06 at 11:35am

No, there is nothing more exciting than live theatre.

Tell 'em all to break a leg for me!



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POB
Old Bugger, Curmudgeon, and Antisocial B**tard


Posted By: TonyDi
Date Posted: 9/13/06 at 2:04pm

I was fortunate enough to direct this show several years ago.  As a matter of fact, I designed and built the set almost by myself (had a little help) and when it was done - it was gorgeous.  BEAUTIFUL deep red colors, rich looking floor (I laid on the floor painting each individual board like complete with nailheads - I'd fall asleep on the floor, wake up and keep going...lasted all night).  But the characters are GREAT in this show - an actors' tasty plate if you ask me - playing all those different roles.  I was lucky to have a great cast (well save one actor who wanted to know "what his motivation" was in some scene - to which I replied "because I told you to do it") and it was a wonderful success.  LOVED the script, the characters, NOT the props (prop-heavy show) and the set (dressed by a good friend of mine who is incredible - I was lucky).  And it was a financial success too which is about all I could hope for but got far more.

Hope YOU enjoy it as much as I did.  It was a fun, fun show with some great acting opportunities in it for actors.  Break legs, eh?

TonyDi



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"Almost famous"


Posted By: castMe
Date Posted: 9/13/06 at 5:27pm
Tony   I love the "because I told you so" line.  I use it myself. 

We decided to do this show very low key set-wise and my director's notes point out that we could very well have produced a beautiful, opulent set but wanted the show to be about the characters and not the room itself. (I hope to post photos next week)

That said, we did find a georgeous table with chairs and a matching sideboard.  We also found lots of beautiful (and beautifully priced----would you believe 99 cents a plate----china plates with (almost) matching bowls) wine glasses, highball glasses, water glasses and bowls are all gold rimmed and the silver trays and tea service are all real silver and shine "like the top of the Chrysler Building".  We decided to not use utensils because I hate the sound of silverware on dishes and my cast and crew don't find it distracting at all. I made prop work on stage a lot easier.  The table looks magnificent for the dinner party last scene. 

Night off tonight so I can begin blocking my next show------which I undertook last week because some dead beat dropped out without even contacting the producer himself.  He called someone else who called the producer.  #@!%**@#X#

So.....I'm off and running with auditions Tuesday and Wednesday and the last three Dining Rooms on Thursday Friday and Saturday.  I'm happy to do the show for them (directing with my wife) and think we will all enjoy it very much.  Cast of 27 or so.  YIKES!  My largest cast to date was 9. 

Let you know how the first weekend goes, but I am extermely optimistic


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Investigate. Imagine. Choose.


Posted By: POB14
Date Posted: 9/14/06 at 9:57am

Originally posted by castMe

Tony   I love the "because I told you so" line.  I use it myself. 

To both of you -- do your actors find that response helpful?



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POB
Old Bugger, Curmudgeon, and Antisocial B**tard


Posted By: TonyDi
Date Posted: 9/14/06 at 4:13pm

You would have loved working with THAT actor.  What I said at the time was WHAT HE NEEDED TO HEAR.  He HAD all that was required to do the job and he chose to make life difficult.  I simply needed to take the bull by the horns and wrestle it to the ground.  Afterwards he was fine. He did the job and was excellent.  And I told him so too.

Thanks for your observation.

TonyDi

As I said, I didn't come on here to incite anyone's ire.  Evidently you think so. That's regrettable.



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"Almost famous"


Posted By: castMe
Date Posted: 9/14/06 at 5:07pm
Tony.  Did you think I was irritated by your response?


POB.  I have never used it except in the future tense "Don't ask me what your motivation is." sort of thing.

I can only remember being asked for motivation for blocking---"Why do you want me to move at (now, to there, etc) and I tell them why.  That has always sufficed. Have never been asked for motivation for an emotional response "What is my motivation for yelling at her" and the like.

Here I go...into the shower and off to the show.


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Investigate. Imagine. Choose.


Posted By: castMe
Date Posted: 9/14/06 at 10:24pm
The show was terrific.  The cast was on fire and the audience couldn't wait for act 2 to begin.  I had to dash quickly backstage after curtian call to send the cast back out for another bow because the audience would not stop applauding.  I've never had to do that before. 

Yeeha.....Please, Dionysos....five more shows like this one.


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Investigate. Imagine. Choose.


Posted By: TonyDi
Date Posted: 9/15/06 at 7:15am

CONGRATULATIONS ON YOUR SUCCESSFUL SHOW!!!  Always nice when the audience - whether the critics think so or not - like the show and extend their appreciation by such rousing applause.  It's a good show and apparently you and your cast did a stellar job to warrant such accolade.  Makes doing it worth the time invested to say the least.  But as always it's a crap-shoot.  You never know how something is going to be received.  It changes from audience member to audience member and performance to performance.  Best thing is to be consistent and let the chips fall where they may.

I've always loved it when the audiences for successful shows pretty much negate what a scathing critic might say.  Seems like icing to me.  But this critic issue is another topic altogether.  It's the audience we do this work for - not the critics.  And I am delighted that you had a good opening and trust you will have a successful rest of the run.  Break legs all around - and break open that champagne bottle!! 

TonyDi



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"Almost famous"


Posted By: POB14
Date Posted: 9/15/06 at 2:56pm
Originally posted by TonyDi

You would have loved working with THAT actor.  What I said at the time was WHAT HE NEEDED TO HEAR.  He HAD all that was required to do the job and he chose to make life difficult.  I simply needed to take the bull by the horns and wrestle it to the ground.

Thanks for the clarification.  Without context, I misunderstood what was going on.

I didn't come on here to incite anyone's ire.  Evidently you think so. That's regrettable.

No ire here whatsoever.



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POB
Old Bugger, Curmudgeon, and Antisocial B**tard


Posted By: POB14
Date Posted: 9/15/06 at 3:08pm

Originally posted by castMe

Tony.  Did you think I was irritated by your response?

No, I'm fairly sure he thinks I was.

POB.  I have never used it except in the future tense "Don't ask me what your motivation is." sort of thing.

I can only remember being asked for motivation for blocking---"Why do you want me to move at (now, to there, etc) and I tell them why.  That has always sufficed. Have never been asked for motivation for an emotional response "What is my motivation for yelling at her" and the like.

This makes sense, in context with how you have said you work.  Again, here, it's me with the failure of understanding.

You all know the story George Burns used to tell on this topic, right?

Director:  In this scene, there's knock on the door, Joe opens it, and you come in.

Actor:  Why?  What's my motivation?

Director:  Okay, there's a knock on the door, Joe opens it, and you DON'T come in.

Actor:  Why NOT?

Director:  Because the actor who has replaced you will be coming in instead.

Never having been unfortunate enough to actually see an actor get to that point, I certainly understand the reaction.



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POB
Old Bugger, Curmudgeon, and Antisocial B**tard


Posted By: castMe
Date Posted: 9/15/06 at 5:18pm
POB  LOL   Love the George Burns story. I will add that to my repertoire.

TonyDi....I did worry quite a bit before the first show I directed opened that the audience wouldn't "get it".  They did, and I've never worried about that again. 


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Investigate. Imagine. Choose.


Posted By: TonyDi
Date Posted: 9/15/06 at 6:37pm

Hey castMe,

I am so delighted it worked for you.  Actually it DID take some audiences a little while to catch on when we moved from scenario to scenario, changing characters, changing scenes.  But it wasn't long.  They picked up on the idea pretty quick - just a little slow on the uptake.  It IS such a good script and covers the gamut for most of the actors of a wide array of character types with which to shine.  Glad you had a good show.  More of the same now!! 

TonyDi

By the way, did you read your Private Message about the other issue?  Wasn't irritated with you - or anyone actually.  More shocked and a little stung.  I'll get over it I guess.



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"Almost famous"


Posted By: Guests
Date Posted: 9/19/06 at 6:21pm
I just finished auditions for "Wagon Wheels a-Rollin'" last night with my junior high students.  I usually don't like auditions, but this time it was a great experience.  I can't wait til they get their lines down and we can work on character development!

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Posted By: castMe
Date Posted: 9/19/06 at 8:42pm
avcastner, I'm glad you enjoyed your auditions.   Personally I love holding auditions and was looking forward to tonight's.  Adults tonight and youngsters tomorrow for "The Best Christmas Pageant Ever".  I wasn't the original director for the show, but he bailed out two weeks ago and the theater asked if my wife and I (a junior high school teacher and director) would be able to do it.  The show we're currently running closes this weekend, and her school show doesn't audition for a month or so, so we said, what the heck, of course.  Unfortunately, not a single adult showed up tonight.  Nada.  Zilch. 

We're not worried yet, since we do know quite a few people to call, and with the kids coming in tomorrrow, we can prospect there, but it was pretty disappointing.  Our major problem may be that hte show opens the day after Thanksgiving, and although we are not planning on rehearsing on Thanksgiving, we do need to be there Tuesday and Wednesday.  Shoot.  I don't suppose any of you folks would be interested in coming up to Waterville, ME a few weeks before Thanksgiving.  It's really lovely in Maine in the autumn and you can sleep in the theater.  POB, BMD, Topper?  Anyone?

Still smiling here.


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Investigate. Imagine. Choose.


Posted By: POB14
Date Posted: 9/20/06 at 9:49pm

Originally posted by castMe

Shoot.  I don't suppose any of you folks would be interested in coming up to Waterville, ME a few weeks before Thanksgiving.  It's really lovely in Maine in the autumn and you can sleep in the theater.  POB, BMD, Topper?  Anyone?

Still smiling here.

I'd consider it (you do pay mileage, right? ), but I may be busy.  I never mention upcoming auditions (I'm a die-hard rationalist, except when I'm acting!), but the kids and I may be stopping by a local theatrical establishment the first weekend in October . . . I hear there's an upcoming Christmas Pageant, and rumor has it that it may be the Best Ever . . . 



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POB
Old Bugger, Curmudgeon, and Antisocial B**tard


Posted By: Gaafa
Date Posted: 9/21/06 at 3:06am
 Bewdy castme! You could be hosting a ?greenroom? Moot!
If you run out of room in the theatre, I guess there is a carpark or lawn, that they could dump their swag down.
A sleep out at the theatre is always a great & enjoyable experience, especially for the mossies!.
Pity the family Jet has been grounded indefinitely or I?d be there!



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      Joe
Western Gondawandaland
turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}




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