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tristanrobin
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bullet Posted: 12/26/08 at 3:48pm
"Doing what works, is a cop out.  Acting is doing.  If actors are not going after objectives, they are not acting. 
 
Is Stanislavski better than Meisner or Stasberg?  That's opinion."

Couldn't agree more.
 Either one is doing the work, or they're not. Are some very-few-and-far-between-talents capable of doing this without knowing what they're doing because they somehow do/feel/know/think intrinsically what is right for the moment? You bet.

But for the rest of us mere mortals, learning the basics of acting tasks (and they are tasks!)
should not be ignored, no matter which technique works for you.
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Nyria
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bullet Posted: 1/30/09 at 2:45pm
Originally posted by John Luzaich

Best books for reading about method acting are: "A Players Place" by David Garfield ( a story of the actors studio). Garfield was a teacher at the Strasberg Institute and he wrote a great book.  another good one is "On Method Acting" by Ed Easty.  Also, "Method or Madness" by Robert Lewis.  A great book by Uta Hagen is "Respect for Acting".  George Henry Lewes wrote "Actors on Acting".  After an understanding of the method, then go back to the source, Stanislavski.  Great books by Konstantine Stanislavski include: "An Actor Prepares", "Bulding a Character", and "My Life in Art".
 
John
 
I would suggest reading Stanislavski first - as he came first ;)  And try to figure it out yourself.  then read what others say about his methods.
(that is - if you can get through his stuff - I have stopped and started many times because it's so dang boring Tongue)
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bullet Posted: 3/17/09 at 12:08pm
"One cannot teach acting. One can only teach the laws of human behavior."

-- Charles Jehlinger
"None of us really grow up. All we ever do is learn how to behave in public." -- Keith Johnstone
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eveharrington
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bullet Posted: 4/18/09 at 9:23pm
ok, obviously you have to know what and why you're doing, but I have rarely felt like I needed to invent a backstory reaching all the way back to my characters toddler days in order to do that, if you do and you keep it relatively to yourself, more power to you, but I'm of the opinion that "method acting" is widely misused as a crutch in place of confidence in your choices as an actor.
"If nothing else, there's applause... like waves of love pouring over the footlights."
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