Active TopicsActive Topics  Display List of Forum MembersMemberlist  CalendarCalendar  Search The ForumSearch  HelpHelp
  RegisterRegister  LoginLogin
Directing
 Community Theater Green Room Discussion Board :Producing Theater :Directing
Message Icon Topic: Director respondsibilities(Topic Closed Topic Closed) Post Reply Post New Topic
<< Prev Page  of 2
Author Message
Jim_L
Lead
Lead
Avatar

Joined: 6/09/06
Location: United States
Online Status: Offline
Posts: 34
bullet Posted: 4/13/07 at 4:47pm

POB14, it would depend what happens next in the script, if that character was supposed to then go postal for the rest of the scene then no, sitting there dark and menacing while delivering the line wouldn't work... other than that I don't see a problem but again, if it screws up what comes after... whether it be the next immediate scene or is referenced later on scenes later "Yeah, Muffy went berserk in the restaurant and had to be carried out and sedated!" when in fact she didn't... kinda puts a dent in the story...

As for lines said as written, the author expects them to be said unless someone drops a line and improv's a save...
 
Shatcher, I've been open to suggestions, if there were any...
 
Topper, if the director likes your script and tells you so and then doesn't say anything else, then you would be led to believe that he likes it because of what he's (or she...;>) read, not because of what he thinks he can change. If the director is that good at stories, then he'd be a writer...
am I wrong? As for directorial visions, if the initial vision of the author isn't good enough then don't do it. Why would someone want to produce something that they can't initially 'see' from the script?
 
What's more, I wrote it for the school drama group to save them money so i'm very familiar with the auditorium and stage and everything was designed around it. This is not a haphazard production that the director picked out of a hat. It was good enough for him to want to do it then but as time went on it seemed to become less so and that's another thing that upsets me - he should have said something before this all started, but there was no mention of concerns on his part, just accolades.
 
Here's the last email to me from the director:
This is perhaps the best show the Players have staged since Little Shop,
twelve years ago. Musically, it is as solid. As far as comedy, I don't
remember when I have laughed more. I blame all that on you.

Your script works, and Wednesday night proves it, if only that the
consummate theater perfectionist, Sharyn said to me with tears still in
her eyes from Act 2, that she doesn't remember laughing like that for
quite some time.

I have not had more fun doing any show. I have not been more comfortable
working with anyone. This might be the best show I've been involved
with, and all the more remarkable because I had so little to do with its
success. Everyone involved has had a blast and believes in what we're
doing. You have undone all the damage that the Music Man did to us all.

So, thank you.
Pete"
 
I suppose I should be thanking him for his kind words but I really don't care anymore, that's how much **** that's gone on since this started.
2 more nights and they'll get their much needed funds for upgrades and such and I can get some sleep before I start the re-write and increase the page count with the things (and directions for much needed clarification at certain points) I've been seeing as an audience member and not as a camera lens.

http://home.comcast.net/~castle.walls/tavern/
IP IP Logged
POB14
Celebrity
Celebrity
Avatar

Joined: 7/01/05
Location: United States
Online Status: Offline
Posts: 349
bullet Posted: 5/03/07 at 12:57pm
Sorry to revive an old thread, but I happened upon a relevant passage on DPS's website.
 
Originally posted by DPS

Are producers required to replicate the stage directions?

There's some confusion about this because many years ago our acting editions were published from the stage manager's prompt book from the original production. Thus, you see stage directions in older scripts like "Jane crosses downstage left to the flowers." That hasn't been the case for 25 years or so, however, and any stage directions in plays since that time usually come from the author, and not a prompt book.
 
*** omitted stuff ***
 
For the most part it's safe to assume, for example, that a stage direction like "Jane crosses downstage left to the flowers" is not something you need to slavishly adhere to. Unless it's followed by "Jane picks up the flowers and throws them at Paul." Any stage directions that are germane to the plot of the play or illustrate something about a character should certainly be followed.
 
So that seems to track what we're all saying.
POB
Old Bugger, Curmudgeon, and Antisocial B**tard
IP IP Logged
Jim_L
Lead
Lead
Avatar

Joined: 6/09/06
Location: United States
Online Status: Offline
Posts: 34
bullet Posted: 5/03/07 at 3:23pm
Exactly, thank you!

http://home.comcast.net/~castle.walls/tavern/
IP IP Logged
avcastner
Star
Star
Avatar

Joined: 12/21/06
Location: United States
Online Status: Offline
Posts: 85
bullet Posted: 5/20/07 at 11:59am
Originally posted by Jim_L

You forgot one...
12. Take the script that the author has worked incredibly hard on and throw out all the hard thought out stage and lighting directions for the characters and insert your own that make no sense and destroy the storyline, cut out lines of dialog important to the story and characters and insert your own that make no sense and are just plain stupid and good for a cheap laugh and constantly agrue with the author about how such and such a direction and/or lines of new dialog would just be so much better than what was originally written but not take it upon yourself to just go and write a script yourself if your so much better at it than the author who's work you raved over when you first read the script...
 
And do all this very loudly in front of the author and the cast with no regard for the authors opinion...
 
oh, one more thing, read the script at each rehersal as if it's the first time (it's ok, stare at it, take your time... no need to take notes beforehand and work out all the details prior to rehersals) then ignore it and do whatever you want (like block it all wrong and help destroy the story and continuity) because your so much better at telling the authors story than he/she is...
 
Did I miss anything?
It's no wonder playwrights get a bad name for being protective of their stories... what do we know anyway? We just wrote the thing...
-Jim
 
Sounds like you're trolling me . . . so I'm going to rise to the occasion and let you know you offend me.  I do not do what you imply and would never suggest anyone do.  Any good director should be able to tell the difference from inherent blocking (such as you describe and is necessary to the story of the play) and implied blocking (which is added by the original director and added to the published version--don't ask me why). 
 
 
IP IP Logged
Jim_L
Lead
Lead
Avatar

Joined: 6/09/06
Location: United States
Online Status: Offline
Posts: 34
bullet Posted: 5/20/07 at 1:15pm
No, not trolling you or anyone. Just giving an opinion from experience.

http://home.comcast.net/~castle.walls/tavern/
IP IP Logged
<< Prev Page  of 2
Post Reply Post New Topic
Printable version Printable version

Forum Jump
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot delete your posts in this forum
You cannot edit your posts in this forum
You cannot create polls in this forum
You cannot vote in polls in this forum

Bulletin Board Software by Web Wiz Forums version 8.05
Copyright ©2001-2006 Web Wiz Guide
buy generic cialis are in line cialis canada outcome for yourself viagra sales cost saving benefit viagra uk convert your buy phentermine online pay phentermine cod payment Lenders Everything xanax online your existing xanax overnight absolute must free incest stories online The value gay incest advance The key free dog sex pics cash flow dog sex the reduced noise free gay college guys of the period gay guys