My experience has been that you are going to run into several problems.
First and foremost will be content. Certain language may have to be omitted, which thus interferes with ideals about changing the meaning of the show, or the writer's vision. This will be necessary because tax dollars are funding the center, and someone in the community will be offended, and thus potentially cost you your new home. So in that respect, you may want to acquire a civic leader to sit on your reperatoryt committee.
Second will be the ever present utility issues. Your actors will either freeze or fry if the heat/air situation isn't resolved.
Third, if the center has multiple rooms, be prepared for the ever present interuptions during rehearsal of individuals who do not wish to use another door to get to the room they need.
Other than that, there will always be something new, but just be prepared for the complaints of people who insist that their tax dollars are being wasted on your "artsy crap" or whatever demeaning comment that will come your way.
Good luck.

Howdy.

Just a couple of pieces of advice. First, get things in writing but TALK about it first. Make sure you really believe THEY believe what they're signing. Sometimes there is a big negotation and everyone comprimises and then 6 months later when the curtain is swinging open - a mind changes.

The other piece is just a tool. Online ticket sales - it saves people, time, effort, and removes a layer of risk from the equation. Nobody can steal, lose, or otherwise goof anything up except the ticketing company and that's all they do, so at least it isn't from inexperience. I'm sure there are others, but www.BrownPaperTickets.com has been awesome. They are free to use and they charge the audience the smallest service fees.

One more piece of advice: HAVE A BLAST!

Steve