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castMe
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bullet Topic: Seeking Small Cast/ No Set Show
    Posted: 11/06/05 at 10:44am
A local theater has asked me to present a show in their new February slot. The space seats approx. 65-70 in a cabaret-type setting and is not conducive to typical theatre presentations.  No wings, no back stage and no room to bring in any lighting other than follow spots. They do have a number of risers.  Last year I jumped into the fray and bailed them out when they had to cancel their previously scheduled event. We presented Love Letters which worked very well in the room. They brought in the desert chef from a local restaurant and offered a variety of sweets along with wine and coffee.  They did quite well and are looking forward to me coming up with another brilliant production. I am out of "brilliant production" ideas for the space, but I don't want to disappoint them as I am trying to get on their main stage schedule for next year. No musicals, please.
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bullet Posted: 11/06/05 at 11:28am
I did tech for a production of SYLVIA that was done black box style - just some furniture no doors, walls etc.  I directed (and later saw another production of) PROOF that was done with only an outdoor table, a couple of chairs and some old split logs used as a fence.  Both have casts of four.  For something offbeat but very good look at THREE VIEWINGS (1m,2w).  It needs a sofa and chair and some odds and ends.  
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bullet Posted: 11/06/05 at 12:00pm
Thanks dougb.  Am looking into Three Viewings.  Sylvia recently done by another theatre company in the same building (two other performance spaces in this former retail building, one 60 seat black-box type and a 900+ seat turn-of-the-century (20th that is) proscenium). As to Proof, I try to stay away from properties recently filmed. I liked the movie, but nothing touched live theatre.  Somehow, Hollywood always seems to screw up the film version. 
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bullet Posted: 11/06/05 at 7:47pm
I recently saw a production of "Streetcar Named Desire" which used
NOTHING - no scenery - no stage lighting - minimal furniture. And
it was mesmerizing.

Not that "Streetcar" has a small cast - but I think it showed me that a
good director with talented actors and a strong vision of a play
doesn't need sets and lights. They help and are theatrical, of course.
But - it all boils down to the script and the actors and the director.

I believe the trick is to make sure the production is graceful and
elegant -and that it appears the lack of scenery and lighting is a
CHOICE and not a compromise.

Good luck!
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bullet Posted: 11/06/05 at 8:24pm

Excellent point, Tristan.  I particularly like your last paragraph.  I will sort thru scripts again tomorrow.

.....The more I think about your reply, the more I recall many shows I've seen and done with boring up-down lighting and a badly painted set.  The play's the thing. I can do a bad show without bad sets and bad lighting. 

..........seriously,  thanks T B

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bullet Posted: 11/07/05 at 9:47am

Take a look at "Vanities" - 3 women - and with the exception of onstage dressing/changing area for the women, set is representational.

 

Susan
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bullet Posted: 11/07/05 at 8:34pm

 "Our Town" has minimal sets. Powerful piece too.I don't think the cast is too big wither (don't recall exactly)

I agree with Tristan as well, a good director makes a WORLD of difference. You can do ALOT with very little. Good direction and willing actors, no limits!

Good luck!

Aimee
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bullet Posted: 11/07/05 at 9:49pm

We are currently doing "Separate Beds" - one man, one woman, who each play two roles, as a travelling show.  Very minimal sets - we did it as a triangle.  Written to be performed in the round, we did it more as thrust.  Challenging for the actors, but very entertaining and designed for the middle aged/married/committed crowd.  If you want more info, email me at jbradsha@mts.net

 

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bullet Posted: 11/07/05 at 10:19pm

May I suggested a play by Robert Yowell entitled "Montana Love Story."

If "Love Letters" was such a hit, I can assure you "Montana Love Story" will be a hit.  It played in Los Angeles a couple of years ago and consequently has been performed elsewhere.  It is a two-character play: Charles Russell (the American artist) and his wife. Bare stage with scrims and lighting. 

You can reach Mr. Yowell in the Department of Theatre (he is the director of the department) at Northern Arizona University.  His email is robert.Yowell@nau.edu

 

 

Linda Stockham
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bullet Posted: 11/08/05 at 11:35am

What kind of plays are you looking for- comedies, dramas, thriller?  I have a psychological piece if your audience is into arthouse type plays.  If your audience likes screwball comedies the Tuna series (2 men...or more) is good.  Or maybe a minimized "On Golden Pond" perhaps- just thinking out loud.

Mark J, rumely_28@yahoo.com

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