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Topic: Speaking of Tech rehersals( Topic Closed) | |
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castMe
Celebrity Joined: 11/02/05 Online Status: Offline Posts: 206 |
Posted: 5/12/06 at 8:38pm |
LOL. Best laugh I've had in weeks, POB
In college, we went so far as to run tech rehearsals with a stop watch until we got the changes down to a managable length. This work came in handy when I worked in an arena summer stock theater and was responsible for the apprentices shifting the scenery. It always went off without a hitch. (and was great fun) Save us all from "directors" Signed.........another director |
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Investigate. Imagine. Choose.
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Gaafa
Celebrity Joined: 3/21/04 Location: Australia Online Status: Offline Posts: 1181 |
Posted: 5/13/06 at 12:26am |
I was going to hold my hand up to be the ex-officio in charge of putting out the chairs!
But seeing the proposed space! How about I opt to just clean the windows &/or give out the cloak room tickets? |
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Joe
Western Gondawandaland turn right @ Perth. Hear the light & see the sound. Toi Toi Toi Chookas {{"chook [chicken] it is"} May you always play to a full house} |
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castMe
Celebrity Joined: 11/02/05 Online Status: Offline Posts: 206 |
Posted: 5/13/06 at 10:40am |
Hey POB. I just realized that photo is NOT Fenway Park.
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Investigate. Imagine. Choose.
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Gaafa
Celebrity Joined: 3/21/04 Location: Australia Online Status: Offline Posts: 1181 |
Posted: 5/14/06 at 3:11am |
As there would be various procedures that can be employed to do tech runs, dictated by the style & type of production.
How do you do it? I use the basic ?cue to cue? ["first & last lines] system to condense the complex into the simplex. So what recipe do you use to ?cook the chook? &/or present it? I prefer the rotisserie method, in order to gain an even roast to the bone, while self basting. That gives a seamless crisper outer texture. I find this method more flexible in adjusting the timing of the chook, revolving thru the elements. Which is far better than just stuck in an oven, stewed in a pot & of course stuffing it! |
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Joe
Western Gondawandaland turn right @ Perth. Hear the light & see the sound. Toi Toi Toi Chookas {{"chook [chicken] it is"} May you always play to a full house} |
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Joan54
Celebrity Joined: 10/03/05 Location: United States Online Status: Offline Posts: 207 |
Posted: 5/15/06 at 8:13am |
Joe....I have no idea what you are talking about but you made me want to eat lunch already and I only just finished morning coffee....I think it was the rotisserie roast...yum.
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"behind a thin wall of logic panic is waiting to stampede"
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Aimee
Celebrity Joined: 8/31/04 Location: United States Online Status: Offline Posts: 156 |
Posted: 5/15/06 at 11:18am |
Thanks for all the replies. They all certainly made me laugh, and I certainly needed it! I may even try the rotisserie things to see if it works. I hearby submit my application to TUABHD! Now we need a slogan/motto..... |
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Aimee
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Gaafa
Celebrity Joined: 3/21/04 Location: Australia Online Status: Offline Posts: 1181 |
Posted: 5/15/06 at 11:31am |
I?m sorry Joan of course! No wonder it is hard to understand, I forgot to mention, that a ?chook? is a chicken! |
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Joe
Western Gondawandaland turn right @ Perth. Hear the light & see the sound. Toi Toi Toi Chookas {{"chook [chicken] it is"} May you always play to a full house} |
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Guests
Guest |
Posted: 5/15/06 at 8:28pm |
I'm a theatre arts teacher, so I can understand that when the cast's acting is running behind there is a temptation to short change the tech. However, it is highly unadvisable. I would personally approach this teacher from the following point of view: how vital is the set and your technical cues to the telling of the story? Does the audience lose interest when they are stuck watching scene changes for 2 minutes? Do they get up and leave the auditorium, looking for the bathroom, thinking the play is over but instead there's a problem with the lights? If these issues are not important to her, then maybe she should do away with the technical end and perform on a bare stage without costumes--not unheard of. If they are important to her, suggest that she add another 2 weeks into rehearsal, carefully scheduling them out so she has enough time to accomplish everything. If her actors aren't off book on time, have her make them sit in a circle, start at the top of the first page, and say their lines. Each time someone gets even 1 line wrong, make them go back to the top of the page. One rehearsal like this usually insures that each person is off book at the next rehearsal. When she's willing to listen to reason (and during performances and right after a play is over may not be the right times to broach this subject), talk about what it's like to be a tech person--how the cast has had months to learn their parts, but you are expected to know everything in 1 day--and sometimes in 30 seconds. Inform her that you are all part of the same team, striving to meet the same goal. Lastly, suggest she contact other drama teachers in the area. Go to other school's plays, go to teacher's conventions, etc. Even just call up the local CT to get some answers. If you think she would be open to some advice, have her log on to this site and private message me. I'd be willing to share my experience, as I am sure there are others. Show your maturity by choosing your time wisely, by having an attitude of improving the program (which seems like she cares about), and by carefully bringing up these different points. If I had a student like you, I would greatly admire you for your professionalism. |
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beach
Walk-On Joined: 4/08/06 Location: United States Online Status: Offline Posts: 0 |
Posted: 5/15/06 at 9:26pm |
I'm fortunate to work with a great high school music director for
musicals every year. This year we had a big challange of doing
The Pajama Game with no backdrops or front curtain (couldn't use
rigging until repairs were made).
All the scene changes were done with lights off & curtain up - so the audience's eyes were glued to the stage during all the scene changes. Miraculously, it went great! We came up with a scene shift plot defining all the things that happen between scenes, when scenery comes on & from where, & where it goes after the scene, and who moves stuff, then tested it out during regular rehearsals, reassigning kids as needed. By the time we had a tech rehearsal, most of the bugs had been worked out. But then they have several weeks of rehearsal instead of just a few days. The thing that I tell the kids about tech stuff is this: Slow awkward scene changes & sloppy tech work will suck the life out of even the best show. Good tech work & scene changes actually energise the show. SO, do what you can to minimize disruption, but let the director know that they will look like a better director if all the tech stuff goes well. good luck! |
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KB
Community Theater Set Designer |
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POB14
Celebrity Joined: 7/01/05 Location: United States Online Status: Offline Posts: 349 |
Posted: 5/15/06 at 9:50pm |
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POB
Old Bugger, Curmudgeon, and Antisocial B**tard |
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