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DWolfman
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bullet Posted: 7/27/05 at 5:17pm

 

BLOOD TIES by Judy Rose

Mama takes a European vacation and returns as a vampire!

NOT NOW, DARLING by Ray Cooney and John Chapman

Another door-slamming, girlfriend-hiding, identity-changing British Comedy

Even a man who is pure of heart...
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pauliebonn
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bullet Posted: 7/28/05 at 11:57pm

Murder at the Howard Johnson

Laughter on the 23rd Floor

Cash on Delivery

 

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Shatcher
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bullet Posted: 7/29/05 at 4:25pm
Nosies off is one of my personal faves. tough on the tech side but so funny. us backstage types laughed through every preformance. and we knew what was coming
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GoldCanyonLady
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bullet Posted: 7/29/05 at 6:56pm
Shatcher, I looked at Noises Off and it looks like something we could do next year, but it calls for 2 interior sets. Can it be done with only one?
Barb
Barb Hofmeister,
MountainBrook Village Players, Gold Canyon, Arizona.
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tristanrobin
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bullet Posted: 7/29/05 at 10:50pm
you do need both sets (the 'set' of the play-within-the-play and
the backstage area of the 'set' of the play-within-the-play) - but it
can be done efficiently with some creative thinking.

I adjudicated a production a few years ago that came up with
an ingenius way of doing the play. They did the first act - then,
for the second act, they had another 'audience' set up
backstage, and everybody went backstage for the second act
(using the backs of the real set as the set for the second act -
and then the audience went back to the main auditorium for the
third act. As weird as it sounds, it was very effective - and the
audience seemed to get a real kick out of their 'traveling' seats.
And, of course, it meant that they only needed the one set
constructed.
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b6307
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bullet Posted: 8/18/05 at 12:32pm

 

Weve had great luck with:  Mornings at Seven, Dearly Departed, An Evening of Culture and  Sex, Love & the I.R.S.
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Shatcher
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bullet Posted: 8/19/05 at 12:24pm
As for Noises Off we used one set that was on wheels. we just turned it around during intermission and then back again for the 3rd act. It is a little bit of work but the show is so great the work will be worth it.
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falstaff29
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bullet Posted: 8/31/05 at 11:28pm

I've always loved Sexual Perversity in Chicago.

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Spectrum
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bullet Posted: 9/03/05 at 12:14pm
My all-time favorite has to be DON'T DRESS FOR DINNER by Marc Camoletti.  We had an amazing director, a stellar cast, fabulous set, and great crew and the show reflected every bit of the fun these people created.  It also generated a record box office for the theatre, primarily by word-of-mouth.
Growing old is mandatory. Growing up is optional.
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The Mikado
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bullet Posted: 9/08/05 at 2:14pm

I directed "Noises Off" in 2000, and it was our biggest hit, ticket-wise, till I directed "The Foreigner" this July.

We are about to open with "The Nerd," and here's to hoping it shapes up to comparable, or better, box office.  I can tell you, people LOVE to laugh.

Check us out at http://www.theatrehsv.org

We're doing a LOT of comedies this season...including a Farndale, "Complete Works," "Dearly Departed," and so on.  We close with "Perfect Wedding," a "Noises"-type comedy that is actually worthy of that comparison.  Of course, we haven't staged it yet, but the script was hilarious.

Then NEXT September, we revive "Noises." 

Best review?  My mom briefly left "Foreigner" during intermission...she said she was going to the restroom..."to finish."

The Mikado, et al.
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