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DWCle
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bullet Topic: paying directors
    Posted: 3/24/10 at 8:02pm

I'm interested in knowing how much you pay the following . .

directors - straight plays
directors - musicals
musical directors
stage managers
choreographers
 
Thank you.
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JoeMc
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bullet Posted: 3/24/10 at 11:12pm
 We only use the currency of Applause !Wink
So why pay $ as our most valuable reuseable resource in comeatre is people.

[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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75director
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bullet Posted: 3/25/10 at 12:06pm
At our theatre I'm staff and do most of the directing, however, we do usually hire a guest director for one show a season (currently a 6 show mainstage season).  So with that in mind here's the pay for hiring people in:

Director - straight play - $1,000
Director - musical - (we don't hire out the directing of musicals)
Music Director - $800
Stage manager - don't pay
Choreographers - between $300-$500

We also pay the rehearsal accompanist for musicals, that's $300

Whatever you pay will vary depending on your location though.  We're in a relatively small community.  Up the road 40 miles in a larger city I know the amount of pay for all these positions is much higher.
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POB14
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bullet Posted: 3/26/10 at 12:46pm
I got "paid" a $50 gift card to a local restaurant for directing a straight play.  I certainly wasn't expecting it; all positions (except musicians) are volunteer around here.
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KEB54
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bullet Posted: 3/28/10 at 12:08am
Boy!  This is a huge variable.  I guess you set a policy an stick to it.
 
In my area it varies a lot and the job description varies, too. In the theatre I most direct in it is something like:
 
directors - straight plays - $1,000
directors - musicals - $1,000
musical directors - $800
stage managers - $250
choreographers - $400
 
But all the area CT are different.
 
My wife directs High School as a contracted employee.  Hers is:
directors - straight plays -$2,000
directors - musicals - $2,000
musical directors -$750
stage managers - $0
choreographers - $200
 
But she donates back much of her salary to pay for the lead set builder, costume rentals and building, prop rental and building, and other experts when she needs them such as lighting and sound designers, etc.  She seldom realizes half of what she is "paid".
 
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bullet Posted: 4/01/10 at 3:01pm
At Bloomington Rep, we pay as follows:
Stage Director (Me): $0, which I receive a salary as Artistic Director

Musical Director and/or Choreographer: $300 each

Resident Production & Design Team (Prod. Stage Manager, Lighting, Sets & Wardrobe): $250-$500 per person, per production, depending on the show. These position are hired on a season-wide 'contract' basis.

Production Crew, Workshop Crew and Actors are volunteers. A majority of our production running team, including our resident stage manager, comes from the High School Technical theater Dept.


Edited by lparks - 4/01/10 at 3:02pm
Landon Parks,
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Bloomington Repertory Theatre Co
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bullet Posted: 7/10/10 at 8:19pm
We paid $400 for directors, $400 for musical directors, $200 choreographers, $100 musicians.  The tech director is underpaid at $1600 a year. 
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bullet Posted: 8/06/10 at 12:27am
Totally varies in our town. The bigger professional theaters either pay equity wage or a fair wage.  Most community theater is volunteer only.   Last year we took on a big project of Babes in Arms and we felt it was important to pay key staff.  We set a budget to pay Director (that was me) and Choreographer $800 each, lighting designer about $500, Orchestra director about $300 and sound guy $200 but we were not able to meet desired budget but were able to pay 75% threshhold for these positions and I didn't really get paid - I donated mine back to the community theater as their portion and this was the music director's baby so he didn't take any money at all which would have made each of the others earn less.  We even had enough to give small token gifts to the student interns and pay all royalties and expenses.  It was the first time in a long time that any postions were paid.  The orchestra was all volunteer except teh director.  We really hope to do it again with our next spring musical but we never promise any payments - it is just a nice surprise when we can.  I tell them we will try to pay a stipend if I can and the more tickets we sell and the more ads we get enables us to do this and it is amazing how much they will help with these things when they know it will benefit them.

Edited by Theatermama - 8/06/10 at 10:38am
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bullet Posted: 8/06/10 at 10:57am
I should add, that my parents knew I wasn't really taking money, as part of the reason we do plays is so the homeless community theater has enough to pay our storage rental units and have enough to do other plays so they all chipped in and got me a visa gift card which I was so touched by. I am not used to being paid, I am more used to paying for the priviledge as all most all of our youth theater is tuition based and community theater never has the money for the kind of costumes or set I want so I just get them, thank goodness I have a payroll job to support my theater habit.
 
  I have been paid to costume here in town starting at $100 and going up to $400 for the summer musical camp where I purchase and create costumes for 25-30 students some in mulitple costumes.  (I have been doing this for 7 of the last 8 summers) I get a $10 per costume budget and Goodwill is my friend. This year was at the low end of pay as all I had to do was coordinate what the kids brought in and do just some minor sewing and designing but I also stayed at camp as a kid wrangler of sorts for 4 weeks and $100 - least amount I was ever paid and I paid for both of my boys to be there as well (usually I get one tuition free).  For Babes, one of my parents did the costumes and she didn't want to be paid, it was her donation as her daughter was one of my leads and she appreciated that I was trying to do a merit based, not a tuition based show with kids.  Often I just costume shows I direct to save money and I like to do it.  I use high school talent alot especially for sound, and stage managing and sometimes lighting  and they are thrilled to do it and if you can give them gas money, they think that is great and it really helps build their resume.
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bullet Posted: 8/08/10 at 5:34am
Call this my lack of experience - I do not agree that people should be offering box office shares (which is essentially what this is). That's about like telling the McDonalds worker you might pay him if HE sells enough Hamburgers. If your realistic marketing plan does not include enough income to pay people, then you should not make any mention of pay. If you do great, surprise everyone!

That is just my opinion on the matter, which can be applied to ANY profession, not just theatre.  Am I the only one who's see's it this way?

Edited by lparks - 8/09/10 at 11:18am
Landon Parks,
Producing Artistic Director,
Bloomington Repertory Theatre Co
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