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Karin
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bullet Topic: Anyone directed Grease school version ?
    Posted: 3/27/08 at 7:50pm
Hi,
I am directing my first musical GREASE 'school version' and am having trouble blocking the play.  Is there anyone our there that has done this and would be willing to have a conversation about some of the scenes with suggestions on stage movement.  I would appreciate you sharing your experience with me.
 
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gaftpres
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bullet Posted: 3/27/08 at 9:09pm
Hi Karin, I directed it 2 summers ago for our CT.  What can I help you out with?
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Karin
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bullet Posted: 4/05/08 at 6:26am
In the opening scene (the Reunion) if the only thing on the stage is a  podium ..and Lynch, Eugene and Patty walk up to it and sing... then give their speeches....   how do I show the Greasers singing the parody of the Alma Mater?  Does the curtain close and the Greasers appear?  I don't get it.  Isn't this scene showing the reunion first and then the parody represents the past (going back in time). 
 
Please explain?
 
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Linda S
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bullet Posted: 4/05/08 at 8:13am
I haven't directed the school version,  but have directed the show a couple of times. Don't think of it as two separate events, but as one event that has a transition in it. The transition at the end of Eugene's speech will set the tone for the show. Make it big and fun. Because the show is so silly, you can do just about anything.  You can have the "greasers" as part of the chorus. They can throw off their robes at the beginning of the parody. You could also have them push through the chorus as they take over the stage scaring everyone else off. If you want you could have the chorus throw off their robes and join the "greasers". If you choose the second option you could do something with character as they tease and laugh the way through the crowd. I am sure there are many more ways to make this work. You could even have the greasers come from the back of audience if you wanted to. The sky is the limit.
 
Have fun with it.
Linda
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bullet Posted: 4/06/08 at 11:33pm
We had the opening scene as serious as it could be with Miss lYnch, Eugene and Patty speaking to the audience as if they were the alumni attending the reunion. I also had 8 faculty members 4 male 4 female behind them sitting while they did their speeches. They were doubled as chorus members afterward. When the parody began, all of my chorus entered through the audience singing and the pink ladies and greasers entered from on stage to sing the parody and exited at "If Mr. Clean could see Rydell he'd just turn green and disappear" (exit) with attitude of course..  Boy it got the audience into the show fast. Also, we put the words from the Alma Mater in the program (not the parody) and encouraged the audience to sing along.  I also had Miss Lynch enter through the audience at certain times and scolding them for chewing gum, why arn't you in class...etc.  This was prior to her "catching" Sonny slacking.  What a great show to do, I have wonderful memories...as you and your cast will too. Enjoy and make great memories for life.
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bullet Posted: 4/07/08 at 8:29pm
What great ideas you have!!!!  I am so excited to include these in our production.  Thanks! 
I have another question maybe someone could answer.  IN Scene two (Cafeteria) when the stage is "split" with the Pink Ladies on one side and T-birds on the other... the light fades from one to the other depending on when they are talking.... how do I block entrances and exists.  For example, if the Pink Ladies are on stage left.... do they always come in and exit from stage left....   is it possible to have Rizzo, for example, enter from stage right if the T-birds are "frozen" in the dark behind her?
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Linda S
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bullet Posted: 4/07/08 at 9:51pm
Hi Karin,
Here's the deal. You can do anything you want as long as you are consistant. You could have Rizzo come from the audience, the left, the right, the center, just make sure that if you do something that it really fits with rest of the show. Keep your entrances and transitions interesting short and clean. When you are making those transitions and scene changes think, "What is the most efficient way to get this done and still keep the audience entertained".
Have fun.
Linda
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gaftpres
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bullet Posted: 4/07/08 at 10:40pm
Ditto Linda. Envision the scene in your mind as you want to see it play out and then create-create-create!  Have fun.
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bullet Posted: 4/08/08 at 6:44am
O.K.    But I am wondering if the stage is SPLIT with the T'birds on one side and Pink Ladies on the other.... can I have a Pink Lady enter in front of the T-birds when they are "frozen" in place?  Am I breaking any rule here or confusing the audience? 
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Linda S
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bullet Posted: 4/08/08 at 7:59am
Good morning Karin,
Of course you can. You must be asking the question because you see it that way. I went back and looked at the scene. The boys are supposedly eating lunch outside of the cafeteria while the girls are in the cafeteria. There are two ways to look at this and it depends on how you want to play it. If you want Rizzo to look like she is crossing another part of the school and doesn't see the boys have them freeze and have her cross in front. However if you think of the space in between them as shorter then what it actually is and the halfway point of the stage is like door. Where on one side are the boys outside and the other side is the girls inside, Rizzo could walk by the boys on her way to the cafeteria They wouldn't even have to freeze. They could nudge each other and acknowledge that she was there Once she hits the halfway mark they can go back to what they were doing before. She would then acknowledge the girls. As long as the girls and the boys don't interact with each other from either side of the stage this will work. It actually will set up the connection between the two spaces when later in that scene when the Pink Ladies bring Sandy over to the boys.
 
The only time it would be confusing is if you aren't consistant. If the way over to the girls is across the front of the stage in front of the boys, then the way back to to the boys is across the front of the stage.
 
Linda
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