I've never heard of such a thing.

Some older scripts have prop lists in the back...and you can get the instrument requirements for musicals.

But every production/stage is different, with different designers who have a different vision. Nobody could tell you what technical requirements you would have for your stage in your theatre.

I think you have to read scripts you're interested in and get the input from your set/lighting/costume designers as to what would be needed for each one.

Good luck.

As an alternative approach, you could try listing your potential shows here and asking if anyone had technical issues to report from previous performances.
What sort of specifications are you looking for?  What particular issues will be make or break for you?

I don't know, but I have directed twice, as well as designing the set & lighting, along with working on the national tour.
the only props that come tp mind, not readily available & you probably have to make yourselves is;-
Quixote
The golden helmet of Mandrino [shaving bowl]
2 Lances [1 broken]
2 swords [1 with a corkscrew twist]
Rusted armour pieces [bresat plate & armlets]
Props/costume wicker Basket
Manuscript
Make up box
wig & goaty

Cast
Captain of guard garb [Sword & hat]
Tin plates & beer mugs
Bread
various dresses
Priest garb
Knights cloak, sword & msk helmet.
The best set I did had desending staircase droped in on stage, fom above the boarder on th OP side with the legs landing RofDSR, & the head of them masked by the boader at the top on the OP side. we only had ab 'A' frame roof viod & used 2 ropers for the end of the legs, with the staicase being lowered side on to the punters. The cable dropers were dressed with black plastic chain, running thru pulleys to off stage PS & counterweighted.
Flaming hard to descibe, but it gave the impression that Cervantes, sancho & the gaurds entertered thru the roof, in fact there was a scaffolding tower which had a platform to give acess to off stage.
Also  a scaf pipe on the tower was the bearing for the sides of the staircase at the top.
The staicase legs landed on to two boxes of four set up as stone plillars, which a board was placed on for a table, with two wooden forms.
With the staicase out the two DS boxes were used for Quiote & Sancho to stand on, while two risoners acted as the horse & donkey in front as they were riding then thru the plains of La Manchha.
We had flats painted as the dubgeon stone walls, a fire place  & a black scrim DS of the cyc.
There was various bundles of sacking & odd boxes strewn around the edge of the acting area on stage.
The only lighting effects were the windmill & a church stainglass window gobo, the fire, along with a night sky stars laced US of the scrim.
90% of the costumes came from charity shops, so it was a cheap budget wardrobe. The set was stock flats & the staicase nade up from wooden we got at a salvage yard.
But really it can be done in a blak box set that looks  like the holding crll of the prison. as all the rest is improvised as part of Cervantes tale of Don Quixote, which all comes out of the props basket, supposedly.
I hope I have not confused you.
But the National had a 20 piece orchestra behind the scrim on the OP side, for when Cwevantes became Quote during the telling & acting out the story. Because it pops in & out of reality, ensure you have a standard lighting state for the prison.



Prisooners garb
Various dresses