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drose
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bullet Posted: 9/22/07 at 1:13am
I like to pause and give notes as we go along (until full out, off book run thru's,  then I only stop for train wrecks or something that I feel is imperative).  Stopping at the time it happens is a great way to fix/work/set something.  An hour or more later, at the end of rehearsal (or worse. the next day) it's hard for an actor to remember exact details of a move/expression/gesture/motivation/etc.  Obviously I have my own caveats and exceptions, but this is generally how I operate.  Although I do warn the cast early on, because many are not used to working this way and it can be uncomfortable at first.
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biggertigger
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bullet Posted: 9/22/07 at 9:25pm

I know it is hard to remember an hour later or even when I scribble down notes, "character A move down left further during your scene."  I luckily have a great AD that will give me the pages so when I give notes I can refer back to what we are talking about.  Just my little tip.

The two greatest days in a theater persons life, the day you start a new show and the day the damn thing closes.
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alwaysdrama
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bullet Posted: 9/25/07 at 11:16am
Please help!!  I need all possible feedback.  I am the ED for my county and am trying to get a production off the ground, however I seem to be getting so many prima donas it isn't even funny.  EX: last night at the first read through I asked them to come and sit around the table (where their characters will be) and just read through.  I got so much slack from this!  The "I will not move my chair again" type of thing!  As E.D. it is my job to step up and take care of business when NO ONE else will.  If I wasn't doing this for them, they wouldn't be doing what they love!  This is my first time directing and I always have their respect....these are my friends too so maybe that's a problem taking direction from me? I have no clue but someone please help me get a handle on this!!  I really appreciate anyones time here.....
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Linda S
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bullet Posted: 9/25/07 at 1:17pm

I quess I don' understand "sitting around the table where their characters will be."Unless you had them playing musical chairs every few minutes, I don't see the problem. But never-the-less for read thrus I put food (chips, grapes whatever) in the middle of the table and sit myself.  Within minutes everyone is seated and we can start. It hasn't failed me yet.

Since your read-thru is over. I hope. If you have good plan for rehearsals, and stick to it, everyone should come around. You said it yourself, they are there because they love it. Everyone wants to be successful, so they should want to rehearse.
 
Good luck.
Linda
 
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alwaysdrama
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bullet Posted: 9/25/07 at 1:45pm
Thanks for replying Linda.  Nope , no musical chairs.  Great idea on the food which I will do!  My situation is really one that I feel must be explained in greater length as there are so many more factors involved.  Maybe I can get your ear one day and explain everything involved.  I appreciate your time and ideas very much!  
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Debflo
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bullet Posted: 9/25/07 at 2:47pm
always drama,
I don't really understand the issue either. It sounds to me like your friends are having trouble taking direction from you. If it was me, I think I would hold a meeting and lay it all out there. Stating that you are there to help make them look good. They can chose to listen to you, and do as you say, or they can find another show to audition for. I know that seems harsh, but you have a lot of people to look out for as Director, and you don't have time to petty problems and attitude issues.
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alwaysdrama
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bullet Posted: 9/25/07 at 2:55pm
Deb, I think you have probably hit  the nail on the head!  I will do as you advise.  Hate to be harsh, but sometimes I guess situations call for harshness.  I just need to draw a line between friends/job maybe. this has been on my mind just all day trying to keep peace and get a production off the ground! Sound advise and I thank you.
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lessismore
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bullet Posted: 9/25/07 at 10:24pm
Something you could say that might make your actors/friends feel less threatened by having to take direction from you is that they need to trust you because you have the 'whole picture in your head'. Tell them that what you are asking them to do is part of a larger whole (sets, wardrobe, etc.) that you are creating and that they need to trust your vision. Good luck and stick to your guns!
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alwaysdrama
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bullet Posted: 9/26/07 at 2:31pm
I took your advise last night les and to my amazement it went beautifully!  I can't tell you how much I appreciate everyone's help on this.  Here's a question for anyone, are there any special things that  the director can do to loosen up the actors before rehearsals? Simple games, tongue twisters? What do most do?
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trutter
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bullet Posted: 9/26/07 at 3:26pm
Rehearsal time is for rehearsal, not games in my book.  We do warmups and things, but games during rehearsal would be disastrous for me.  Plus people come to rehearse, it could have the opposite reaction and end in bad feelings since some people would view it as unnecessary.

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Troy A. Rutter
Author, "Kids in the Biz: A Hollywood Handbook for Parents"
http://www.kidsinthebiz.com/
A Heinemann Drama Publication
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