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bbpchick
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bullet Topic: Any Melodrama Directors?
    Posted: 7/18/07 at 8:55pm
Hello all!  I just joined yesterday.  I'm directing my second show and melodrama.  I was wondering how many others have done melodrama and what you have done with them since they are a definantly a bit different from a straight drama or a comedy (i.e. major cheese factor).  Do you use olios?  How about live music (which has been a major problem for me this year)?  Enterance and Exit music?  Or any other tips and tricks you might have.  I'm just looking for ideas to enhance the experience and make it more fun.
Thanks,
Kendra
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GoldCanyonLady
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bullet Posted: 7/19/07 at 11:22am
Our first play 4 years ago was a melodrama and it was fun. We made two mistakes. We had oleos which made the play toooooo long. And we gave everyone a bag of popcorn which created such a noise coming from the audience that we could hardly hear each other on stage. I can still hear the noise of everyone reaching into their popcorn bags. We did not use live music except for the oleos.

I didn't direct this play or do anything other than have a small part, but everyone's contentions was what I wrote above.
Barb
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Gaafa
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bullet Posted: 7/19/07 at 11:50am
So I gather your doing a 'music hall' style production, with musical interludes, hence the use of Olios (Tumblers), rather than tabs.
The biggest thing is audience participation & activly including them in the production with musical numbers by jioning in songs. This where tumbler slide sheets [oloios] come in handy & don't forget to prompt the punters to boo & hiss the villian & chearing the hero. Scene card signs help changed by the usual young lady dressed apropriatly with the assistance of the 3 T's.
You could always add the Chairman who exspounds the virnacular & MC's the proceedings.
      Joe
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bbpchick
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bullet Posted: 7/19/07 at 12:38pm

 Cool.  I pretty much wanted to see what other people have done and what has worked well for them and what hasn't.  We are doing olios, but the play is just under an hour without them and we are limiting it to 5 (2 + MC introduction before the show and 3 just before the curtian rises for act 2.  I'll definately do a sing a long (joining song?) Gaafa thats a really good idea.  Get people warmed up.

We had a similar experience with peanuts GoldCanyonLady.  Except it wasn't the noise that got to us, but it was how VICIOUS people got with them.  I didn't direct that one, I was just in it but yeah projectiles in live theater is bad juju in the hands of the audience. 
Thank you guys for your tips and I hope to hear more tips and tricks Tongue
Kendra
www.murphysblackbartplayers.com
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Gaafa
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bullet Posted: 7/19/07 at 2:20pm
Why noy interdisperse songs within the body of the acts, much the same as a musical?
      Joe
Western Gondawandaland
turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}

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bbpchick
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bullet Posted: 7/27/07 at 1:39am
In the current play I'm doing, it wouldn't work so well cuz it's taking place in a News Paper office.  Next year I'm going to be doing "Face on the Barroom Floor.  Or...Looking through the Sawdust"  at least I'm planning on it (lol a lot can happen in a year) and if I can work it, that would be great for that show since it takes place in a bar.  
 
Do you need to get permission to do that?  One thing I definately don't want to do is violate rules when I get royalties.
Kendra
www.murphysblackbartplayers.com
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Gaafa
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bullet Posted: 7/27/07 at 2:45am
Originally posted by bbpchick

We had a similar experience with peanuts GoldCanyonLady.  Except it wasn't the noise that got to us, but it was how VICIOUS people got with them.  I didn't direct that one, I was just in it but yeah projectiles in live theater is bad juju in the hands of the audience. 

Ah! yes I remember it well?
Being a 10 year old at a theatre in Glasgow, breing pelted with rotten fruit. that was sold in brown paper bags for ruppence at the front door & chucked from the gods, becausere was a texhnical hitch.
With music being added, it is much the same as songs in a concerts or pantomimes, royalies are paid fior eaxh piece or thru a copyright association.
      Joe
Western Gondawandaland
turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}

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pdavis69
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bullet Posted: 7/27/07 at 4:22pm
Many years ago we did the melodrama The Drunkard arranged by Barry Manilow.  This was a huge hit.  Probably the most enjoyable part from the audience point of view was the singalongs we did during scene changes.  I can still remember the audiences (mostly college students) (mostly drunk) calling out to sing "number five!" which was the "Ragtime Gal" song made famous by the Michigan J Frog cartoon.  Drunks realy enjoy actively participating in a show.
Patrick L. Davis
Fort Findlay Playhouse
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Gaafa
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bullet Posted: 7/28/07 at 5:52am
'Jack the ripper' a musical play set in the 'Steam Packet Music Hall' about the Whitechapel murders in London 1888;-
A fantastic show writen around the murders in a send up music hall style.
      Joe
Western Gondawandaland
turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}

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whitebat
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bullet Posted: 8/11/07 at 6:34pm
I've acted in two melodramas.  The first we had live music (a badly tuned piano).  We encouraged the audience to throw popcorn  at and boo and hiss the villain(not so fun at strike, though it didn't hurt the actors).  It may have had olios, not sure.  It was actually a musical melodrama, Tim Kelly (?) has a bunch of them as either musical or straight.  The second one, we did the show with the local chapter of Sweet Adelines.  They did all the musical numbers and we acted in between.  No popcorn!  We did the "card" thing with "Boo, Hiss" and "10 months later", etc.
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