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suzecue1
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bullet Posted: 10/12/06 at 3:55pm
After opening night, a director's job is done and I usually just sit in the back of the auditorium and watch. I have been known to do a little pre-show energy or pep talk, saying something astounding like "I love all of you" and "don't suck", but normally I just watch.  I do like to go back stage at intermission and tell them how great they are doing, or tell them the little things that I notice (usually something that wasn't a planned part of the performance) good or bad.  Things tend to get a little too relaxed (and loose) at the end of the run. Especially with the seniors. That can be good or bad. Directing teens is a lot like being a parent.  You do you best while raising (and directing) them, and hopefully the direction you give will be apparent when they are on their own (and in their performances).
Sue
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tcpmatt
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bullet Posted: 10/12/06 at 4:34pm

When the show opens, I sit in the back and watch. Before the show I will give them a talk and tell them little things to keep the energy up. I have sometimes changed little things "keep them fresh" each night. It has worked very well for all my shows. Sometimes Ill go next door to the local Rest. and have a quick beer.

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Sueshoo
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bullet Posted: 10/15/06 at 3:45pm

I agree with Suzecue1 on this, director's job is done and it is time to take a back seat and let the audience and cast enjoy themselves. Having said that - I always make sure that my SM has the best interest of the show in mind and our vision and trust they will keep things in order.  "Let's do the show we rehearsed".

Originally posted by suzecue1

After opening night, a director's job is done and I usually just sit in the back of the auditorium and watch. I have been known to do a little pre-show energy or pep talk, saying something astounding like "I love all of you" and "don't suck", but normally I just watch.  I do like to go back stage at intermission and tell them how great they are doing, or tell them the little things that I notice (usually something that wasn't a planned part of the performance) good or bad.  Things tend to get a little too relaxed (and loose) at the end of the run. Especially with the seniors. That can be good or bad. Directing teens is a lot like being a parent.  You do you best while raising (and directing) them, and hopefully the direction you give will be apparent when they are on their own (and in their performances).

Susan
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reds
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bullet Posted: 10/28/06 at 10:18am
After final dress rehearsal, I give the show to my stage manager.  In fact...this "passing of the show"  usually means a lot to him....it shows that I trust him with something I have worked very hard on for months and months.  After a little pre-show peptalk, I then sit in the back (or pace) and watch the show.  My job is done.  I do not make it a practice to go backstage during the show unless I am called there for some reason.  I do take notes, and give them to the actors or crew prior to the next performance. 
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NagarWSF
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bullet Posted: 1/19/07 at 11:17am
I usually use tech week to transition the show from my hands to the SM's.I agree with everyone, that once the show opens, my job is done. I like to sit back and enjoy. I do give a pre-performance pep-energy talk. But keep it short and sweet. The cast and crew have more important things to do than listen to me babble on. I don't take notes during the run. If I see something jarringly off, I may go talk to the actor about it informally, but otherwise, it Miller time! (Well, in my case, Killian's time!)
 
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avcastner
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bullet Posted: 5/20/07 at 12:36pm
FYI:  I'm the "guest" from a few posts earlier--my username didn't migrate when the forum updated.
 
If the first act went lousy, I will go backstage at inermission (with permission from my stage manager) and try to pep them up for the next act.  I strive for double the energy than usual at the beginning of Act 2 if Act 1 had problems.  It helps put everyone back on track.
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