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Topic: Godspell( Topic Closed) | |
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slicksister
Celebrity Joined: 3/20/04 Location: United States Online Status: Offline Posts: 105 |
Topic: Godspell Posted: 3/04/07 at 8:09pm |
I am going to be directing Godspell in the fall and would like some input from ya'll about the different ways you have seen it staged. In other words there are alot of different ways to interpret the script and lots of different places the story can"take place". What are some innovative things yo've seen or done? I'm not looking to copy anybody I'm just looking for some inspiration. I'd like to stay away from the "inner city outdoor basketball court" which seems to be pretty over done. Just a note - we will be producing this show in a church. Not in a multi pursope room but actually in the sanctuary. It is fairly large and has full on lighting set up ect. Oh, and there are 2 huge screens at the front with the capabilities of doing some stuff with projectors/powerpoint/video etc. We will probably build somewhat of a floor covering to cover up the carpet and make it easier to dance/move etc.
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The Main Thing is to Keep the Main Thing the Main Thing
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Gaafa
Celebrity Joined: 3/21/04 Location: Australia Online Status: Offline Posts: 1181 |
Posted: 3/05/07 at 7:42pm |
I have seen a number of ‘Godspell’s’ & most have generic attempts of a poor copy of the ‘Flick’!
I keep feeling it would be better set in a car park, similar to the ‘Rhythm of life’ from ‘Sweet Charity’. Or with shows in various venues, utilising the space, as it is & what it was originally intended for. Like with your church space, warehouse or even a shopping centre? |
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Joe
Western Gondawandaland turn right @ Perth. Hear the light & see the sound. Toi Toi Toi Chookas {{"chook [chicken] it is"} May you always play to a full house} |
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NagarWSF
Walk-On Joined: 1/11/07 Location: United States Online Status: Offline Posts: 0 |
Posted: 3/06/07 at 12:27pm |
I directed Godspell a few years ago. It was the spring right after 9/11. We set ours on a construction site. We built out the stage in the auditorium to be a thrust. We had scaffolding, orange pylons, HVAC tubing, plastic tarps, a large gang (tool) box to be able to stand on, saw horses. For the different parables, the cast built what they needed out of the items on the construction site. The scaffold was UCS and was utilized at various times. Of course, it was particularly handy and effective for the crucifixion scene. But we didn't stay only on the stage. I had performers all over the house at times.
Within this setting, we utilized loads of different performance styles. Clowning, acrobatics, children's theatre, puppetry. We did a couple of things like that Pilobus dance troupe that was featured on the Oscars and those Hyundai Santa Fe commercials. It was a blast. The key to the show is tapping into something beyond just teaching the gospel. For us, in the wake of 9/11, it was of "building." A construction site because that is where "buildings" get built, a la WTC reconstruction, but also to convey the notion of building community. The performers built a community with each other. The performers and audience built a community with each other. The audience, by experiencing the show , built a community with each other. You get the picture.
As for how I have seen it, well, I've seen it set on a wharf, under a highway, in a junkyard, at the circus, and yes, in a park. I would stay away from the circus and park. They've been done to death. I agree with the poster who suggested you be site specific in terms of where you are performing. You are in a church. Pretty appropriate, I'd say. Lots of paegants are done in churches. Perhaps what can be interesting is to set out to explore this church. Let your audience know that this is not the usuall church paegant. It is also not the usual church service. Don't limit yourself to the "stage" area of the church. Use the whole sanctuary. Run around, up and down the aisles. Maximize the environment and make your audience participate by having to look at the action all around them.
Good luck with it, and let us know how it goes!
-Sandy Nagar
Webster Shakespeare Festival
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Working Class Theatre Company
www.workingclasstheatre.org |
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MartyW
Celebrity Joined: 2/02/04 Location: United States Online Status: Offline Posts: 555 |
Posted: 3/06/07 at 3:03pm |
I still like it the construction site or junk yard way...
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Marty W
"Till next we trod the boards.." |
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POB14
Celebrity Joined: 7/01/05 Location: United States Online Status: Offline Posts: 349 |
Posted: 3/07/07 at 12:20pm |
I saw Godspell done in a church. No set at all; just some chairs, etc. If I recall correctly, Jesus just stood on a chair with something tied around his wrists for the crucifixion. And yes, the aisles were used extensively.
That production blew me away.
I think I would love to play with the screens; juxtapose some medieval iconography with pictures of kids in a field of daisies - all kinds of stuff. I would have Jesus singing "Alas For You" to a projected picture of Johnny Cochrane. I would show a picture of an empty tomb at the end.
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POB
Old Bugger, Curmudgeon, and Antisocial B**tard |
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tristanrobin
Celebrity Joined: 4/25/05 Location: United States Online Status: Offline Posts: 704 |
Posted: 3/07/07 at 5:49pm |
I directed a production that was set in a children's playground - and all the various playthings (slide, seesaw, swings, sandbox, etc.) could all be dismantled and re-arranged for the various parables. It was pretty neat looking.
The best production I've ever seen was done by the graduate program at S.U.N.Y. Fredonia - and they used NOTHING. No set pieces at all and the only props they used were carried on them. And it was AWESOME. As long as the show is sincere and truthful, and the cast is committed to telling the story, you can't go wrong. |
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slicksister
Celebrity Joined: 3/20/04 Location: United States Online Status: Offline Posts: 105 |
Posted: 3/09/07 at 10:58pm |
Thanks so much for your responses. Originally I thought about doing it using the church as the setting but our church isn't very "churchy" if you will. No stained glass, no choir loft, no cross at the front, no pulpit, no organ or piano, no pews (we use chairs). It's a very contemporary building and they made it that way so the stage would be more versatile. I figured trying to make it "churchy" would be as much work as any other setting. What I have roaming around in my head right now is this - I was away at a conference at a large camp and conference center and in one of their large chapels they had about 25 or so old tv's and computer screens all painted white and stacked on top of each other on either side of the stage. I'm not sure why they were there. Perhaps they were left overs from some theme they did at one time. That got my brain working and I remembered this huge old TV satelite we have on our back property that doesn't work any more. Then I started thinking of dryer tubing and galvanized metal and.... well you know! So I'm thinking a cyber world. Inside a computer or something...? I dunno...still ruminating. I do intend to use the aisles and the screens too. Hmmm....
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The Main Thing is to Keep the Main Thing the Main Thing
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claning
Player Joined: 6/15/06 Online Status: Offline Posts: 18 |
Posted: 3/10/07 at 5:40pm |
I have directed this twice for a church theatre group. The first was set in a construction site supposedly the future site of our new church building (which was in the works). The second time I went with the park theme with sliding board, basketball net, etc. Not really original.
One idea I did have but could not convince my production staff to jump in with me on was setting in a cube farm, you know, office workers in cubes (ala Dilbert). I was going to make computer keyboards, mice, internet, all visual themes in the show. A little too far out for my staff (and budget) however. So we abandoned and went with the park. But some day!!!!
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Chris Laning, Co-Host
"Your Neighborhood Stage" Podcast http://www.NeighborhoodStage.com chris@neighborhoodstage.com |
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Mr. Lowell
Celebrity Joined: 1/30/07 Location: United States Online Status: Offline Posts: 269 |
Posted: 3/23/07 at 11:39am |
Hi, back in 1977 I ran followspot for a production of Godspell that was staged in a small church. Their set was simple yet very creative and colorful. The setting was an oversized "toy store" and all the characters were toys that came to life!
All the actors dressed as various antique toys. I think the girl that sang "Day by Day" was a Raggedy Anne doll. The Jesus character was a traditional wind-up toy soldier. (At one point I remember he runs out of power so they attached a big wind-up key to his back to restore him).
I can't recall what all the others were...but they were all classic toy characters. Maybe there was a clown or a teddy bear or a cowboy...kind of like the movie "Toy Story".
The set was made up of large blocks to climb on...each with giant letters painted on the sides, like a kid's toy blocks. I think there was a gigantic wooden rocking horse upstage and a toy train for them to jump around on.
Well...call me sentimental...but I saved the programs from EVERY show I have ever worked on! Here is a link to a scan of that old program cover:
(The original program artwork was credited to Curtis Sexton)
Anyhow, I remember the production as being bright and colorful with a simple and consistant theme for the set & costumes.
-Dana |
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Mr. Lowell,
Lighting/Set Designer & Tech Director, for the Linda Sloan Theatre, in the Davison Center for the Arts, at Greensboro Day School |
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jaytee060
Star Joined: 1/18/07 Location: United States Online Status: Offline Posts: 63 |
Posted: 5/13/07 at 12:49pm |
I have directed Godspell twice. Once I used the construction site concept to great success. We even had a rock band on stage behind a chain link fence with high voltage signs. The cross rose up out of the street and it was all very effective.
The second time I directed it, I decided to try something a little diffrent and placed the setting inside the big top of a circus. It was cute and flashy and made for some great props and costumes, but it also seemed to lose some of the earthy drama that is embedded within J. Michael's beautiful script.
Im not suggesting that you must use the inner-city type setting but be careful not to make it to frothy or cutesy. While it is funny and zany and you can be a crazy as you want to be, it still has several powerful messages that you don't want to overshadow with "schmaltz".
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